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|a 2008053649
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|a 649146402
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|a 9780820705071
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|a 0820705071
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|z 9780820704166
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|z 0820704164
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|a (OCoLC)679350969
|z (OCoLC)649146402
|z (OCoLC)794700841
|z (OCoLC)1126048934
|z (OCoLC)1126087236
|z (OCoLC)1282283094
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|b PROJMUSE
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|n GovNo
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|a 22573/ctv1xvph70
|b JSTOR
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|a dlr
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|a PR3069.R44
|b B46 2009
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|a 822.3/3
|2 22
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|a UAMI
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|a Benson, Sean,
|d 1966-
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|a Shakespearean resurrection :
|b the art of almost raising the dead /
|c Sean Benson.
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|a Pittsburgh, Pa. :
|b Duquesne University Press,
|c ©2009.
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|a 1 online resource (x, 219 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|a Medieval & Renaissance literary studies
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|a Includes bibliographical references (pages 201-211) and index.
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|a Shakespeare's art of almost raising the dead -- The comedies: recognition and quasi resurrection -- Failed resurrections in Romeo and Juliet and Othello -- Cordelia's quasi resurrection and Shakespeare's revision -- The limits of stage resurrection in Pericles and Cymbeline -- Raising the dead in The winter's tale and The tempest -- Appendix: mock resurrections.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a Print version record.
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|a English.
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|a This engaging book demonstrates Shakespeare's abiding interest in the theatrical potential of the Christian resurrection from the dead. In fourteen of Shakespeare's plays, characters who have been lost, sometimes for years, suddenly reappear seemingly returning from the dead. In the classical recognition scene, such moments are explained away in naturalistic terms a character was lost at sea but survived, or abducted and escaped, and so on. Shakespeare never invalidates such explanations, but in his manipulation of classical conventions he parallels these moments with the recognition scenes from the Gospels, repeatedly evoking Christ's resurrection from the dead.Benson's close study of the plays, as well as the classical and biblical sources that Shakespeare fuses into his recognition scenes, clearly elucidates the ways in which the playwright explored his abiding interest in the human desire to transcend death and to live reunited and reconciled with others. In his manipulation of resurrection imagery, Shakespeare conflates the material with the immaterial, the religious with the secular, and the sacred with the profane.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Shakespeare, William,
|d 1564-1616
|x Criticism and interpretation.
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|a Shakespeare, William,
|d 1564-1616
|x Technique.
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|a Shakespeare, William,
|d 1564-1616
|2 fast
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|a Shakespeare, William.
|2 swd
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|a Resurrection in literature.
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|a Dead in literature.
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|a Morts dans la littérature.
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|a Résurrection dans la littérature.
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|a Dead in literature
|2 fast
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|a Resurrection in literature
|2 fast
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|a Technique
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|a Auferstehung
|g Motiv
|2 gnd
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|a "Multi-User"
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Benson, Sean, 1966-
|t Shakespearean resurrection.
|d Pittsburgh, Pa. : Duquesne University Press, ©2009
|w (DLC) 2008053649
|w (OCoLC)236322086
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|a Medieval and Renaissance literary studies.
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|u https://jstor.uam.elogim.com/stable/10.5325/j.ctv1xx9mw5
|z Texto completo
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