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Duchamp and the aesthetics of chance : art as experiment /
Marcel Duchamp is often viewed as an ""artist-engineer-scientist, "" a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Alemán |
| Publicado: |
New York :
Columbia University Press,
©2010.
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| Colección: | Columbia themes in philosophy, social criticism, and the arts.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Molderings, Herbert, |e author. | |
| 240 | 1 | 0 | |a Kunst als Experiment. |l English |
| 245 | 1 | 0 | |a Duchamp and the aesthetics of chance : |b art as experiment / |c Herbert Molderings ; translated by John Brogden. |
| 246 | 3 | 0 | |a Art as experiment |
| 260 | |a New York : |b Columbia University Press, |c ©2010. | ||
| 300 | |a 1 online resource (xvi, 214 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Columbia themes in philosophy, social criticism, and the arts | |
| 504 | |a Includes bibliographical references (pages 193-210) and index. | ||
| 520 | |a Marcel Duchamp is often viewed as an ""artist-engineer-scientist, "" a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision. Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scien. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a Translated from the German. | ||
| 505 | 0 | |a The idea of the fabrication -- The 3 standard stoppages in the context of the large glass. The pane of glass as a materialized plane intersecting the visual pyramid -- Depersonalizing straight lines. The thread as a metaphor of the visual ray -- The 3 standard stoppages as paintings. Gravity and line : the "rephysicalization" of the ideal straight -- Duchamp's application of the new standard measures -- Painting of chance. Art as an experiment -- 1936 : Duchamp transforms the painting into an experimental setup. On the title : Roussel's "method" -- An excursion into the world of shop signs and windows -- Humorous application of non-Euclidean geometry. A brief digression on Tu m' -- The crisis of the scientific concept of truth -- Pataphysics, chance, and the aesthetics of the possible -- Radical individualism. | |
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| 600 | 1 | 0 | |a Duchamp, Marcel, |d 1887-1968. |t 3 standard stoppages. |
| 600 | 1 | 0 | |a Duchamp, Marcel, |d 1887-1968 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Duchamp, Marcel, |d 1887-1968. |2 fast |0 (OCoLC)fst00054760 |
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| 650 | 7 | |a ART |x Individual Artists |x Essays. |2 bisacsh | |
| 650 | 7 | |a ART |x Individual Artists |x Monographs. |2 bisacsh | |
| 650 | 7 | |a PHILOSOPHY |x Aesthetics. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Brogden, John |c (Translator) | |
| 776 | 0 | 8 | |i Print version: |a Molderings, Herbert. |s Kunst als Experiment. English. |t Duchamp and the aesthetics of chance. |d New York : Columbia University Press, ©2010 |z 9780231147620 |w (DLC) 2009043390 |w (OCoLC)458583435 |
| 830 | 0 | |a Columbia themes in philosophy, social criticism, and the arts. | |
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