Hollywood incoherent : narration in seventies cinema /

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Looking at iconic films including 'The Godfather', 'The French Connection', 'The Exorcist' 'Taxi Driver' and 'A Woman Under the Influence', this book argues that the narrative and stylistic innovations of the 1970s opened a new era in American cinema...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Berliner, Todd, 1964-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, 2010.
Edición:1st ed.
Temas:
Universidad Sergio Arboleda
Bibel > Philemonbrief
1900-1999
Dialogue in motion pictures.
Incongruity in motion pictures.
Motion picture plays > History and criticism.
Narration (Rhetoric)
Motion pictures > United States > History > 20th century.
Dialogue au cinéma.
Scénarios de cinéma > Histoire et critique.
Narration.
Cinéma > États-Unis > Histoire > 20e siècle.
PERFORMING ARTS > Film & Video > Reference.
PERFORMING ARTS > Film & Video > History & Criticism.
Motion picture plays.
Motion pictures.
Sprache
Narrativität
Film > USA > Geschichte 1970-1980.
Film > Narrativik > USA > Geschichte 1970-1980.
Narrativik > Film > USA > Geschichte 1970-1980.
Film.
Filmästhetik.
Erzähltechnik.
Filmteori.
Dramaturgi.
United States.
USA.
Hollywood.
Criticism, interpretation, etc.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • An introduction to narrative incongruity. Poetics of seventies cinema
  • Narrative incongruity in seventies cinema
  • Modes of narration in seventies films. Narrative frustration : from The godfather to The godfather, part II
  • Genre deviation and The French connection
  • Conceptual incongruity and The exorcist
  • Incongruity's endpoints. Incongruity and unity in Martin Scorsese's Taxi driver
  • John Cassavetes's radical narration
  • Conclusion.

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