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Hollywood incoherent : narration in seventies cinema /
Looking at iconic films including 'The Godfather', 'The French Connection', 'The Exorcist' 'Taxi Driver' and 'A Woman Under the Influence', this book argues that the narrative and stylistic innovations of the 1970s opened a new era in American cinema...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
2010.
|
| Edición: | 1st ed. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Berliner, Todd, |d 1964- | |
| 245 | 1 | 0 | |a Hollywood incoherent : |b narration in seventies cinema / |c Todd Berliner. |
| 250 | |a 1st ed. | ||
| 260 | |a Austin : |b University of Texas Press, |c 2010. | ||
| 300 | |a 1 online resource (x, 276 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a An introduction to narrative incongruity. Poetics of seventies cinema -- Narrative incongruity in seventies cinema -- Modes of narration in seventies films. Narrative frustration : from The godfather to The godfather, part II -- Genre deviation and The French connection -- Conceptual incongruity and The exorcist -- Incongruity's endpoints. Incongruity and unity in Martin Scorsese's Taxi driver -- John Cassavetes's radical narration -- Conclusion. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Looking at iconic films including 'The Godfather', 'The French Connection', 'The Exorcist' 'Taxi Driver' and 'A Woman Under the Influence', this book argues that the narrative and stylistic innovations of the 1970s opened a new era in American cinema. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
| 610 | 2 | 7 | |a Universidad Sergio Arboleda |2 gnd |
| 650 | 0 | |a Dialogue in motion pictures. | |
| 650 | 0 | |a Incongruity in motion pictures. | |
| 650 | 0 | |a Motion picture plays |x History and criticism. | |
| 650 | 0 | |a Narration (Rhetoric) | |
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 6 | |a Dialogue au cinéma. | |
| 650 | 6 | |a Scénarios de cinéma |x Histoire et critique. | |
| 650 | 6 | |a Narration. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Dialogue in motion pictures. |2 fast |0 (OCoLC)fst00892502 | |
| 650 | 7 | |a Incongruity in motion pictures. |2 fast |0 (OCoLC)fst01903578 | |
| 650 | 7 | |a Motion picture plays. |2 fast |0 (OCoLC)fst01027218 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Narration (Rhetoric) |2 fast |0 (OCoLC)fst01032927 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 650 | 7 | |a Sprache |2 gnd | |
| 650 | 7 | |a Narrativität |2 gnd | |
| 650 | 7 | |a Film |z USA |y Geschichte 1970-1980. |2 idsbb | |
| 650 | 7 | |a Film |x Narrativik |z USA |y Geschichte 1970-1980. |2 idsbb | |
| 650 | 7 | |a Narrativik |x Film |z USA |y Geschichte 1970-1980. |2 idsbb | |
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| 650 | 7 | |a Filmästhetik. |2 idszbz | |
| 650 | 7 | |a Erzähltechnik. |2 idszbz | |
| 651 | 7 | |a USA. |2 idszbz | |
| 651 | 7 | |a Hollywood. |2 idszbz | |
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| 650 | 7 | |a Dramaturgi. |2 sfit | |
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| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Berliner, Todd, 1964- |t Hollywood incoherent. |b 1st ed. |d Austin : University of Texas Press, 2010 |z 9780292722798 |w (DLC) 2010019946 |w (OCoLC)607973975 |
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