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Neo-segregation narratives : Jim Crow in post-civil rights American literature /
This study of what Brian Norman terms a neo-segregation narrative tradition examines literary depictions of life under Jim Crow that were written well after the civil rights movement.; From Toni Morrison's first novel, The Bluest Eye, to bestselling black fiction of the 1980s to a string of rec...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Athens :
University of Georgia Press,
©2010.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Norman, Brian, |d 1977- | |
| 245 | 1 | 0 | |a Neo-segregation narratives : |b Jim Crow in post-civil rights American literature / |c Brian Norman. |
| 260 | |a Athens : |b University of Georgia Press, |c ©2010. | ||
| 300 | |a 1 online resource (x, 214 pages) : |b illustrations, map | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction. Jim Crow then: the emergence of neo-segregation narratives -- Jim Crow Jr.: Lorraine Hansberry's late segregation revisions and Toni Morrison's early post-civil rights ambivalence -- Jim Crow returns, Jim Crow remains: gender and segregation in David Bradley's The Chaneysville incident and Alice Walker's The color purple -- Jim too: black blackface minstrelsy in Wesley Brown's Darktown strutters and Spike Lee's Bamboozled -- Jim Crow in Idaho: clarifying blackness in multiethnic fiction -- Jim Crow Faulkner: Suzan-Lori Parks digs up the past, again -- Epilogue. Jim Crow today: when Jim Crow is but should not be. | |
| 520 | |a This study of what Brian Norman terms a neo-segregation narrative tradition examines literary depictions of life under Jim Crow that were written well after the civil rights movement.; From Toni Morrison's first novel, The Bluest Eye, to bestselling black fiction of the 1980s to a string of recent work by black and nonblack authors and artists, Jim Crow haunts the post-civil rights imagination. Norman traces a neo-segregation narrative tradition - one that developed in tandem with neo-slave narratives - by which writers return to a moment of stark de jure segregation to address contemporary concerns about national identity and the persistence of racial divides. These writers upset dominant national narratives of achieved equality, portraying what are often more elusive racial divisions in what some would call a postracial present.; Norman examines works by black writers such as Lorraine Hansberry, Toni Morrison, Alice Walker, David Bradley, Wesley Brown, Suzan-Lori Parks, and Colson Whitehead, films by Spike Lee, and other cultural works that engage in debates about gender, Black Power, blackface minstrelsy, literary history, and whiteness and ethnicity. Norman also shows that multiethnic writers such as Sherman Alexie and Tom Spanbauer use Jim Crow as a reference point, extending the tradition of William Faulkner's representations of the segregated South and John Howard Griffin's notorious account of crossing the color line from white to black in his 1961 work Black Like Me. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a American literature |x African American authors |x History and criticism. | |
| 650 | 0 | |a American literature |y 20th century |x History and criticism. | |
| 650 | 0 | |a African Americans in literature. | |
| 650 | 0 | |a Segregation in literature. | |
| 650 | 0 | |a Race discrimination in literature. | |
| 650 | 6 | |a Littérature américaine |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Noirs américains dans la littérature. | |
| 650 | 6 | |a Ségrégation dans la littérature. | |
| 650 | 6 | |a Discrimination raciale dans la littérature. | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x General. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Ethnic Studies |x African American Studies. |2 bisacsh | |
| 650 | 7 | |a African Americans in literature. |2 fast |0 (OCoLC)fst00799727 | |
| 650 | 7 | |a American literature. |2 fast |0 (OCoLC)fst00807113 | |
| 650 | 7 | |a American literature |x African American authors. |2 fast |0 (OCoLC)fst00807114 | |
| 650 | 7 | |a Race discrimination in literature. |2 fast |0 (OCoLC)fst01086490 | |
| 650 | 7 | |a Segregation in literature. |2 fast |0 (OCoLC)fst01111233 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Norman, Brian, 1977- |t Neo-segregation narratives. |d Athens : University of Georgia Press, ©2010 |z 9780820335964 |w (DLC) 2010005969 |w (OCoLC)529958032 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt46nbh5 |z Texto completo |
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