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Seeing witness : visuality and the ethics of testimony /
The act of bearing witness can reveal much, but what about the figure of the witness itself? As contemporary culture is increasingly dominated by surveillance, the witness--whether artist, historian, scientist, government official, or ordinary citizen--has become empowered in realms from art to poli...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
©2009.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Blocker, Jane, |e author. | |
| 245 | 1 | 0 | |a Seeing witness : |b visuality and the ethics of testimony / |c Jane Blocker. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c ©2009. | ||
| 300 | |a 1 online resource (xxiii, 153 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 139-145) and index. | ||
| 505 | 0 | |a Introduction: Imagery specialists -- I. History. A promise always disappointing: the ethics of history in Ulay and Abramović's The lovers ; Peoples of memory: James Luna and the production of history ; Binding to another's wound: Felix Gonzalez-Torres and Ross McElwee on weddings -- II. Technology. A cemetery of images: photography and witness in the work of Gilles Peress and Alfredo Jaar ; Machine memory: digital witness in Dumb Type's memorandum -- III. Biopower. This being you must create: transgenics, witness, and selfhood in the work of Eduardo Kac and Christine Borland ; The shame of biological being: microbiology and theories of subjectivity in a project by Ann Hamilton and Ben Rubin -- Conclusion: A mysterious picture of God. | |
| 520 | |a The act of bearing witness can reveal much, but what about the figure of the witness itself? As contemporary culture is increasingly dominated by surveillance, the witness--whether artist, historian, scientist, government official, or ordinary citizen--has become empowered in realms from art to politics. In Seeing Witness, Jane Blocker challenges the implicit authority of witnessing through the examination of a series of contemporary artworks, all of which make the act of witnessing visible, open to inspection and critique. Considering such artists as Marina Abramovi, James Luna, Felix Gonzalez-Torres, Eduardo Kac, and Ann Hamilton, Blocker investigates the artists and spectators who look, the technologies they look with, and the forms of power and moral authority that permit their viewing. | ||
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| 650 | 0 | |a Subjectivity in art. | |
| 650 | 0 | |a Reality in art. | |
| 650 | 0 | |a Visual communication in art. | |
| 650 | 0 | |a Art, Modern |y 21st century. | |
| 650 | 0 | |a Art, Modern. | |
| 650 | 6 | |a Subjectivité dans l'art. | |
| 650 | 6 | |a Réalité dans l'art. | |
| 650 | 6 | |a Communication visuelle dans l'art. | |
| 650 | 6 | |a Art |y 21e siècle. | |
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| 776 | 0 | 8 | |i Print version: |a Blocker, Jane. |t Seeing witness. |d Minneapolis : University of Minnesota Press, ©2009 |z 9780816654765 |w (DLC) 2008029070 |w (OCoLC)233798811 |
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