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Hearing and knowing music : the unpublished essays of Edward T. Cone /
Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpub...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton :
Princeton University Press,
©2009.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Cone, Edward T. | |
| 245 | 1 | 0 | |a Hearing and knowing music : |b the unpublished essays of Edward T. Cone / |c edited and with an introduction by Robert P. Morgan. |
| 246 | 1 | 8 | |a Hearing & knowing music |
| 260 | |a Princeton : |b Princeton University Press, |c ©2009. | ||
| 300 | |a 1 online resource (x, 215 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 207-210) and index. | ||
| 504 | |a "Published works of Edward T. Cone": pages 207-210 | ||
| 505 | 0 | |a Aesthetics -- Opera and song -- The composer as critic -- Analysis. | |
| 520 | |a Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpublished at his death. Edited and introduced by Robert Morgan, these essays cover a broad range of topics, including music's position in culture, musical aesthetics, the significance of opera as an art, setting text to music, the nature of twentieth-century harmony and form, and the practice of musical analysis. Fully matching the quality and style of Cone's published writings, these essays mark a critical addition to his work, developing new ideas, such as the composer as critic; clarifying and modifying older positions, especially regarding opera and the nature of sung utterance; and adding new and often unexpected insights on composers and ideas previously discussed by Cone. In addition, there are essays, such as one on Debussy, that lead Cone into areas he had not previously examined. --From publisher's description. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Morgan, Robert P. | |
| 776 | 0 | 8 | |i Print version: |a Cone, Edward T. |t Hearing and knowing music. |d Princeton : Princeton University Press, ©2009 |z 9780691140117 |w (DLC) 2008049313 |w (OCoLC)276274614 |
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