Bronze inside and out : a biographical memoir of Bob Scriver /
"More than any other book that I can think of, Bronze Inside and Out puts a human face on Western art - indeed, all art. It invites us to ponder the very nature of the creative process."--The foreword by Brian W. Dippie, University of Victoria Bronze Inside and Out: A Biographical Memoir o...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Calgary, Alta. :
University of Calgary Press,
©2007.
|
Colección: | Legacies shared book series ;
no. 25. |
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Title Page
- Bibliographic Information
- Dedication
- Contents
- Foreword
- Acknowledgments
- PART ONE: Prelude
- I GENRE: AMERICAN BRONZES
- 1. Why we learned to cast bronze and what it was like
- 2. How I got to the Blackfeet Reservation and what it was like Browning, Montana, 1961
- 3. History of the Blackfeet and how artists joined them High northern prairie, 1600s forward
- 4. “Indian Days� Browning, Montana, in the Sixties
- 5. The roots of American equestrian bronzes Washington, D.C., 1780s to the 1800s
- II PROVENANCE: FAMILY HISTORY 1. The importance of story: the quick-draw guy Browning, 1968
- 2. Bob�s genealogical roots and how his parents got to Browning The Palatine to England to Quebec to Montana, 1600s to early 1900s
- 3. Bob�s childhood Browning, World War I and after
- 4. The white community and how Bob acquired an Indian “mother� Milk River Ridge, the Twenties
- 5. Artists on the scene Glacier Park, the Twenties
- 6. Earl Heikka, “crazy artist feller� Great Falls, Twenties and Thirties
- III INSPIRATION: FROM MUSIC TO SCULPTURE
- 1. First career: leading prize-winning high school bands 1934�19502. Second career: successful taxidermist Browning, 1950�1964
- 3. The Scriver Museum of Montana Wildlife Browning, 1953�1999
- 4. The earliest sculptures and the C.M. Russell Contest Browning, the Fifties
- 5. Beginning to sell Browning, late Fifties
- IV PLASTILENE: THE EARLY YEARS
- 1. About the material and what it demands Greenwich Village, the Forties
- 2. Malvina Hoffman�s plastilene Greenwich Village, the Forties
- 3. Plastilene sculptures shelved Browning, 1962
- 4. The miniature wildlife dioramas: a team effort Browning, Spring 19625. Bob nearly goes blind Browning, Summer 1962
- 6. Evelyn Cole Chinook, Montana, 1967
- 7. My first hunting trips The Rocky Mountain front, Fall 1962
- V ARMATURE: FORMING STRUCTURE
- 1. About armatures
- 2. The armature of Bob�s inner world Browning, the Sixties
- 3. The Buffalo Roundup. We both ride Moiese, 1963
- 4. Organic armatures: skeletons Bynum, Sun River, Moiese, Starr School, mid-Sixties
- 5. Broken ribcage Browning, 1965
- VI WASTE MOLD: SHARDS ON THE TABLE
- 1. Waste molds, made for destruction 2. Dick Flood The northern prairie, Fifties and Sixties
- 3. Ace Powell Hungry Horse and Browning, 1928 to 1976
- 4. John Clarke East Glacier, 1881�1970
- 5. The last full-mount: a moose Browning, 1968
- 6. Eegie Browning, 1962�1975
- 7. Electric cowboys Cut Bank Creek, 1965
- 8. Life in Browning The Sixties
- 9. Drifters Browning, mid-Sixties
- 10. Downhill Hudson�s Bay Divide, late Sixties
- VII PLASTER ORIGINAL: FIRST SUCCESS
- 1. About plaster originals: the key
- 2. George Gray Browning, 1968