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The historical experience in German drama : from Gryphius to Brecht /
In what is still the standard survey of German historical drama, 'Das deutsche Geschichtsdrama' (1952), Friedrich Sengle understands "historical drama" as that in which objective history is blended with an 'idea' that is the basis of its dramatic coherence and force. Th...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Rochester, NY :
Camden House,
2003.
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| Colección: | Studies in German literature, linguistics, and culture.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Menhennet, Alan. | |
| 245 | 1 | 4 | |a The historical experience in German drama : |b from Gryphius to Brecht / |c Alan Menhennet. |
| 260 | |a Rochester, NY : |b Camden House, |c 2003. | ||
| 300 | |a 1 online resource (186 pages) | ||
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| 490 | 1 | |a Studies in German literature, linguistics, and culture | |
| 504 | |a Includes bibliographical references (pages 167-174) and index. | ||
| 505 | 0 | |a CONTENTS -- PREFACE -- ACKNOWLEDGEMENTS -- Introduction -- 1: Historical Drama o fthe German Baroque: Andreas Gryphius -- 2: The Age of Enlightenment: Aufkl�rung -- 3: Weimar Classicism: Friedrich Schiller -- 4: Herder, Goethe and the Romantic Tendency: GÜtz von Berlichingen -- 5: The Emergence of Austria: Franz Grillparzer -- 6: “Non-Austrian� Historical Drama: C.F. Hebbel -- 7: The Modern Age: Schnitzler and Brecht -- WORKS CITED -- INDEX | |
| 520 | |a In what is still the standard survey of German historical drama, 'Das deutsche Geschichtsdrama' (1952), Friedrich Sengle understands "historical drama" as that in which objective history is blended with an 'idea' that is the basis of its dramatic coherence and force. This idea inevitably becomes the engine of a dramatic action, inclining the theatergoer to become wholly engaged with dramatic characters in a dramatic present, rather than with 'real' figures in a historical past. Such plays (for instance Schiller's 'Maria Stuart') may remain broadly 'true to history, ' but the 'experience' they afford is often not historical; that is, it may be emotionally and intellectually compelling, but it will not be historical in the sense of causing us, in our present, to become engaged with our relationship with past figures and events and their continued relevance for us. Alan Menhennet identifies and analyzes examples of German drama that are historical in the stricter sense: not only in terms of the provenance of the material, but also in that, while remaining dramatic in nature, they do convey a historical experience. By means of a critical survey extending from the seventeenth century to the twentieth, in the contexts of literary history, the philosophy of history, and German history from the Thirty Years' War to the Second World War, Menhennet provides a complement to Sengle's still-valuable study. Major figures treated include Gryphius, Lessing, Schiller, Goethe, Grillparzer, Hebbel, Schnitzler, and Brecht. There is no competing work in English. Alan Menhennet is Professor Emeritus of German at the University of Newcastle, Newcastle-upon-Tyne, UK. He is author of 'Grimmelshausen the Storyteller' (Camden House, 1997) | ||
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| 650 | 0 | |a Historical drama, German |x History and criticism. | |
| 650 | 7 | |a DRAMA |x Continental European. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x German. |2 bisacsh | |
| 650 | 7 | |a Historical drama, German |2 fast | |
| 650 | 7 | |a Historisches Drama |2 gnd | |
| 650 | 7 | |a Geschichte |2 gnd | |
| 650 | 1 | 7 | |a Historisch drama. |2 gtt |
| 651 | 7 | |a Deutsch. |2 swd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Menhennet, Alan. |t Historical experience in German drama. |d Rochester, NY : Camden House, 2003 |z 9781571132550 |w (DLC) 2002010540 |w (OCoLC)50155808 |
| 830 | 0 | |a Studies in German literature, linguistics, and culture. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7722/j.ctt81t57 |z Texto completo |
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