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|b .R43 2004
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|a UAMI
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|a Reiman, Erika,
|d 1968-
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|a Schumann's piano cycles and the novels of Jean Paul /
|c Erika Reiman.
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|a Rochester, NY :
|b University of Rochester Press,
|c 2004.
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|a 1 online resource (xiii, 229 pages) :
|b illustrations
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|a text
|b txt
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|a computer
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|a online resource
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|a data file
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|a Eastman studies in music,
|x 1071-9989
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|a Includes bibliographical references (pages 217-224) and index.
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|a "Seldom satisfied, but always delighted" : Jean Paul and his novels -- Digressive dances : Schumann's early cycles -- Carnaval : redefining convention, transcending boundaries -- Higher and lower forms -- Schumann's and Jean Paul's idyllic vision.
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|a Print version record.
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|a Robert Schumann frequently expressed his deep admiration for the novels of Jean Paul Friedrich Richter, the late-eighteenth-century German novelist, essayist, and satirist. Schumann imitated Jean Paul's prose style in his own fiction and music criticism, and said once that he learned 'more counterpoint from Jean Paul than from my music teacher.' Drawing on the recent, groundbreaking work in musico-literary analysis of scholars such as Anthony Newcomb, John Daverio, and Lawrence Kramer, Erika Reiman embarks on a comparative study of Jean Paul's five major novels and Schumann's piano cycles of the 1830s, many of which are staples in the repertoire of concert pianists today. The present study begins with a thorough review of Jean Paul's literary style, emphasizing the digressions, intertextuality, self-reflexivity, and otherworldliness that distinguish it. The similarly digressive style that Schumann developed is then examined in his earliest works, including the enduring and highly original 'Carnaval' (1835), and in cycles of the later 1830s, notably 'Davidsbündlertänze' and 'Faschingsschwank aus Wien'. Finally, an analysis of three one-movement works from 1838-39 reveals links with Jean Paul's exploration of the idyll, an ancient genre that had experienced an eighteenth-century revival. Throughout, the author attempts to keep in mind the actual sound and performed experience of the works, and suggests ways in which an awareness of Jean Paul's style might change the performance and hearing of the cycles. Erika Reiman, received her Ph. D. in Musicology from the University of Toronto (1999) and has taught at Brock University, Wilfrid Laurier University, the University of Guelph, and the University of Toronto; she is also active as a pianist and chamber musician.
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|b Books at JSTOR Evidence Based Acquisitions
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|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Schumann, Robert,
|d 1810-1856.
|t Piano music.
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|a Jean Paul,
|d 1763-1825.
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|a Jean Paul,
|d 1763-1825
|x Influence.
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|a Schumann, Robert,
|d 1810-1856.
|t Piano, Musique de.
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|a Jean Paul,
|d 1763-1825.
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|a Jean Paul,
|d 1763-1825
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|a Piano music (Schumann, Robert)
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|a Schumann, Robert.
|2 swd
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|a Paul, Jean.
|2 swd
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|a Piano music
|y 19th century
|x History and criticism.
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|a Music and literature.
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|a Piano, Musique de
|y 19e siècle
|x Histoire et critique.
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|a Jean Paul,
|d 1763-1825
|x Influence.
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|a Musique et littérature.
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|a MUSIC
|x General.
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|a Influence (Literary, artistic, etc.)
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|a Music and literature
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|a Piano music
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|a Rezeption
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|a Klaviermusik
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|a Roman
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|a Romans.
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|a Pianomuziek.
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|a 1800-1899
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|a Criticism, interpretation, etc.
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|i Print version:
|a Reiman, Erika, 1968-
|t Schumann's piano cycles and the novels of Jean Paul.
|d Rochester, NY : University of Rochester Press, 2004
|z 9781580461450
|w (DLC) 2003023049
|w (OCoLC)53287706
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|a Eastman studies in music ;
|v v. 19.
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt81f5p
|z Texto completo
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