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|a Cain, Patricia.
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|a Drawing :
|b the enactive evolution of the practitioner /
|c Patricia Cain.
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|a Bristol, UK ;
|a Chicago, USA :
|b Intellect,
|c 2010.
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|a 1 online resource (294 pages) :
|b illustrations
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|a text
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|a Includes bibliographical references (pages 279-294).
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|a Front Cover; Preliminary Pages; Contents; List of Figures; Figure Credits; Acknowledgements; Introduction; PART I: Theorising about Thinking and Drawing: The Limitations of Theory-led Research to the Practitioner; Chapter 1: About Thinking and Drawing -- The Process Rather than the Artefact; Chapter 2: Moving from Theory to Practice -- The Methodological Problem; Chapter 3: The Relevance of Enactive Cognition to the Practice of Drawing; Chapter 4: Accessing Enactive Knowledge Through the Lived Experience of the Practitioner.
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|a In an era which has seen many forms of artistic creation becoming digitized, the practice of drawing, in the traditional sense, has remained constant. However, many publications about the relationship between drawing and thinking rely on discipline-dependent distinctions to discuss the activity's function. Drawing: The Enactive Evolution of the Practitioner redefines drawing more holistically as an enactive phenomenon, and makes connections between a variety of disciplines in order to find out how drawing helps us understand the world. Instead of the finite event of producing an artifact, drawi.
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|a Print version record.
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|a Drawing
|x Philosophy.
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|a Drawing, Psychology of.
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|a Dessin
|x Philosophie.
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|a ART
|x Techniques
|x Drawing.
|2 bisacsh
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|a Drawing
|x Philosophy.
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|0 (OCoLC)fst00897741
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|a Drawing, Psychology of.
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|a ART / General
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|i Print version:
|t Drawing.
|d Intellect L & D E F A E 2010
|z 9781841503257
|w (OCoLC)457149460
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvzrt
|z Texto completo
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