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Tsʻao Yü : the reluctant disciple of Chekhov and O'Neill, a study in literary influence /
Historians of modern Chinese literature have generally used the year 1907 to mark the inception of Western-style drama in China. For in that year, a small group of Chinese students in Japan, inspired by the Japanese experiments with Western drama, decided to follow suit and form the Spring Willow So...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Hong Kong] :
Hong Kong University Press,
1970.
|
| Colección: | Centre of Asian Studies series ;
no. 2. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Lau, Joseph S. M., |d 1934- | |
| 245 | 1 | 0 | |a Tsʻao Yü : |b the reluctant disciple of Chekhov and O'Neill, a study in literary influence / |c Joseph S.M. Lau. |
| 246 | 1 | |6 880-01 |i Added title page title in Chinese: |a Cao Yu | |
| 260 | |a [Hong Kong] : |b Hong Kong University Press, |c 1970. | ||
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| 490 | 1 | |a Centre of Asian Studies series ; |v no. 2 | |
| 504 | |a Includes bibliographical references (pages 79-83) and index. | ||
| 505 | 0 | |a Acknowledgements; Contents; Introduction; I Thunderstorm: Its Source and Form; II Thunderstorm and Desire under the Elms; III Sunrise and the 'Tearful' Art of Chekhov; IV SunriseandThe Cherry Orchard; V The Noble Savage as a Rejuvenative Symbol; VI The Wilderness and The Emperor Jones as Studies of Fear; VII Peking Man and the Decline of Chinese Gentility; VIII Tseng Wen-ch'ing and Ivanov: Portraits of Two 'Superfluous Men'; Conclusion; Bibliography; Index. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |5 MiAaHDL |2 star | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 520 | |a Historians of modern Chinese literature have generally used the year 1907 to mark the inception of Western-style drama in China. For in that year, a small group of Chinese students in Japan, inspired by the Japanese experiments with Western drama, decided to follow suit and form the Spring Willow Society, an amateurish dramatic club for experimental purposes. Their first play, staged in Tokyo in February of the same year, is an adaptation from Dumas' La dame aux camelias. The play had an all-male cast and used a strange mixture of old and new techniques. But to the Chinese audience brought up in the native operatic tradition, what must have seemed strange would not have been so much the mixture of technique old and new as the complete unfamiliarity of the plot and the method of its presentation: for neither the story nor the acting was anything akin to what they used to think, of as drama. | ||
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| 600 | 1 | 0 | |6 880-02 |a Cao, Yu, |d 1910-1996 |x Knowledge |x Literature. |
| 600 | 1 | 1 | |a Cao, Yu, |d 1910-1996 |x Knowledge |x Literature. |
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| 650 | 0 | |a Influence (Literary, artistic, etc.) | |
| 650 | 4 | |a Literature. | |
| 650 | 6 | |a Influence littéraire, artistique, etc. | |
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| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast |0 (OCoLC)fst00972484 | |
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| 776 | 0 | 8 | |i Print version: |a Lau, Joseph S.M., 1934- |t Tsʻao Yü; the reluctant disciple of Chekhov and O'Neill. |d [Hong Kong] Hong Kong University Press, 1970 |z 9780856560057 |w (DLC) 77021935 |w (OCoLC)129551 |
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