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|a Odin, Steve,
|d 1953-
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|a Artistic detachment in Japan and the West :
|b psychic distance in comparative aesthetics /
|c Steve Odin.
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|a Honolulu :
|b University of Hawai'i Press,
|c 2001.
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|c ©2001
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|a 1 online resource (vii, 294 pages)
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|a text
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|a Includes bibliographical references (pages 283-290) and index.
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
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|t Introduction: Artistic Detachment as an Intercultural Theme --
|g pt. 1.
|t Artistic Detachment East and West.
|g 1.
|t Artistic Detachment in Western Aesthetics.
|g 2.
|t Artistic Detachment in Japanese Aesthetics.
|g 3.
|t An East-West Phenomenology of the Aesthetic Attitude --
|g pt. 2.
|t Psychic Distance in Literature East and West.
|g 4.
|t Psychic Distance in Modern Western Literature.
|g 5.
|t Psychic Distance in Modern Japanese Literature.
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|a Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aesthetics and concludes with a survey of various critiques of psychic distance. Throughout, the author takes a highly innovative approach by juxtaposing Western aesthetic theory against Eastern (primarily Japanese) aesthetic theory. Weaving between cultures and time periods, the author focuses on a remarkably wide range of theories: in the West, the Kantian notion of disinterested contemplation, Heidegger's Gelassenheit, semiotics, and pragmatism; in Japan, Zeami's notion of riken no ken, the Kyoto School's intepretation of nothingness, D.T. Suzuki's analysis of the function of no-mind, and the writings of Kuki Shuzo on Buddhist detachment. "Portrait of the artist" fiction by such writers as Henry James, James Joyce, Mori Ogai, and Natsume Soseki demonstrates how the main theme of detachment is expressed in literary traditions. The role of sympathy or pragmatism in relation to disinterest is examined, suggesting conflicts within or challenges to the notion of detachment. Researchers and students in Eastern and Western areas of study, including philosophers and religionists, as well as literary and cultural critics, will deem this work an invaluable contribution to cross-cultural philosophy and literary studies
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|a In English.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Aesthetics, Comparative.
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|a Aesthetics, European.
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|a Aesthetics, Japanese.
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|a Esthétique comparée.
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|a Esthétique européenne.
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|a Esthétique japonaise.
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|a PHILOSOPHY
|x Metaphysics.
|2 bisacsh
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|a PHILOSOPHY
|x Aesthetics.
|2 bisacsh
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|a Aesthetics, Comparative.
|2 fast
|0 (OCoLC)fst00798763
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|a Aesthetics, European.
|2 fast
|0 (OCoLC)fst00798768
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|a Aesthetics, Japanese.
|2 fast
|0 (OCoLC)fst00798786
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|a Estética (filosofia) (comparação)
|z Europa;japão.
|2 larpcal
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776 |
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|i Print version:
|a Odin, Steve, 1953-
|t Artistic detachment in Japan and the West.
|d Honolulu : University of Hawai'i Press, ©2001
|w (DLC) 00062034
|w (OCoLC)44750771
|
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|
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|a Book collections on Project MUSE.
|
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt6wqrt0
|z Texto completo
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