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|a UAMI
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|a Smith, Robert Rowland,
|e author.
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|a Death-drive :
|b Freudian hauntings in literature and art /
|c Robert Rowland Smith.
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|a Edinburgh :
|b Edinburgh University Press,
|c ©2010.
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|a 1 online resource (xvi, 215 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a text file
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|a Frontiers of theory
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|a Includes bibliographical references and index.
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|a 1. Memento Mori -- 2. The death-drive does not think -- 3. A subject is being beaten -- 4. White over red -- 5. Literature-repeat nothing -- 6. A harmless suggestion -- 7. The rest of radioactive light -- Postscript: Approaching death.
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|a Print version record.
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|a Robert Rowland Smith takes Freud's work on the death-drive and compares it with other philosophies of death - Pascal, Heidegger and Derrida in particular. He also applies it in a new way to literature and art - to Shakespeare, Rothko and Katharina Fritsch, among others. He asks whether artworks are dead or alive, if artistic creativity isn't actually a form of destruction, and whether our ability to be seduced by fine words means we don't put our selves at risk of death. In doing so, he proposes a new theory of aesthetics in which artworks and literary texts have a death-drive of their own, not least by their defining ability to turn away from all that is real, and where the effects of the death-drive mean that we are constantly living in imaginary, rhetorical or 'artistic' worlds. The book also provides a valuable introduction to the rich tradition of work on the death-drive since Freud. Key Features Includes a general introduction to the death-drive Presents an original theory of aesthetics Analyses both theoretical and clinical psychoanalysis Offers in-depth treatment of Freud Provides an overview of philosophies of death
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Freud, Sigmund,
|d 1856-1939.
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|a Freud, Sigmund,
|d 1856-1939
|2 fast
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|a Death instinct.
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|a Death in literature.
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|a Death in art.
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|a Aesthetics.
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|a Art.
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|a Death
|x Psychological aspects.
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|a Esthetics
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|a Freudian Theory
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|a Art
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|a Attitude to Death
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|a Literature
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|a Pulsion de mort.
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|a Mort dans la littérature.
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|a Mort dans l'art.
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|a Esthétique.
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|a Art.
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|a Mort
|x Aspect psychologique.
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|a Littérature.
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|a SELF-HELP
|x Death, Grief, Bereavement.
|2 bisacsh
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|a FAMILY & RELATIONSHIPS
|x Death, Grief, Bereavement.
|2 bisacsh
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|a LITERARY CRITICISM
|x General.
|2 bisacsh
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|a Death
|x Psychological aspects
|2 fast
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|
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|a Art
|2 fast
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|a Aesthetics
|2 fast
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|a Death in art
|2 fast
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|a Death in literature
|2 fast
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|a Death instinct
|2 fast
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|a Psychoanalyse
|2 gnd
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|a Todestrieb
|2 gnd
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|a Kunst
|2 gnd
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|a Ewigkeit
|2 gnd
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|a Philosophie
|2 gnd
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|i Print version:
|a Smith, Robert Rowland.
|t Death-drive.
|d Edinburgh : Edinburgh University Press, ©2010
|z 9780748640393
|w (OCoLC)499076043
|
830 |
|
0 |
|a Frontiers of theory.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3366/j.ctt1r23mg
|z Texto completo
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