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Screen traffic : movies, multiplexes, and global culture /
In Screen Traffic, Charles R. Acland examines how, since the mid-1980s, the U.S. commercial movie business has altered conceptions of moviegoing both within the industry and among audiences. He shows how studios, in their increasing reliance on revenues from international audiences and from the anci...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
©2003.
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| Colección: | e-Duke books scholarly collection.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Acland, Charles R., |d 1963- |e author. | |
| 245 | 1 | 0 | |a Screen traffic : |b movies, multiplexes, and global culture / |c Charles R. Acland. |
| 260 | |a Durham : |b Duke University Press, |c ©2003. | ||
| 300 | |a 1 online resource (xii, 337 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references (pages 299-324) and index. | ||
| 505 | 0 | |a 1. Global audiences and the current cinema -- 2. Traveling cultures, mutating commodities -- 3. Matinees, summers, and the practice of cinemagoing -- 4. Crisis and settlement in exhibition and distribution -- 5. "Here come the megaplexes" -- 6. Zones and speeds of international cinematic life -- 7. Northern screens -- 8. The miniaturization of the theme park, or after the "death" of cinema -- 9. Cinemagoing as "felt internationalism" --- Appendices: -- 1. Screens per million population -- 2. World screen count -- 3. National average cinema admissions per person (annual) -- 4. Multiplexing in Europe -- 5. MPAA's goals for digital cinemas -- 6. Existing digital cinemas, 2000 -- 7. Digital movies released for DLP projectors. | |
| 520 | |a In Screen Traffic, Charles R. Acland examines how, since the mid-1980s, the U.S. commercial movie business has altered conceptions of moviegoing both within the industry and among audiences. He shows how studios, in their increasing reliance on revenues from international audiences and from the ancillary markets of television, videotape, DVD, and pay-per-view, have cultivated an understanding of their commodities as mutating global products. Consequently, the cultural practice of moviegoing has changed significantly, as has the place of the cinema in relation to other sites of leisure. Acland explores this transformation by investigating the generation and dissemination of a new understanding of Hollywood movies. Through an innovative integration of film and cultural theory, and with close examination of promotional materials, entertainment news, trade publications, and economic reports, Acland presents an array of evidence for the new understanding of movies and moviegoing that has developed within popular culture and the entertainment industry. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a Motion picture audiences. | |
| 650 | 0 | |a Motion pictures |x Distribution. | |
| 650 | 0 | |a Culture in motion pictures. | |
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| 650 | 6 | |a Distribution des films. | |
| 650 | 6 | |a Culture au cinéma. | |
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| 650 | 7 | |a Motion picture audiences |2 fast | |
| 650 | 7 | |a Motion pictures |x Distribution |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Acland, Charles R., 1963- |t Screen traffic. |d Durham : Duke University Press, ©2003 |z 0822331756 |w (DLC) 2003005050 |w (OCoLC)51837872 |
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