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|a UAMI
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|a Heinrich, Larissa,
|e author.
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|a The afterlife of images :
|b translating the pathological body between China and the West /
|c Larissa N. Heinrich.
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|a Durham :
|b Duke University Press,
|c 2008.
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|a 1 online resource (xiv, 222 pages, 8 pages of plates) :
|b illustrations (some color)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Body, commodity, text
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|a Includes bibliographical references (pages 197-212) and index.
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|a How China became the "cradle of smallpox": transformations in discourse -- The pathological body: Lam Qua's medical portraiture -- The pathological empire: early medical photography in China -- "What's hard for the eye to see": anatomical aesthetics from Benjamin Hobson to Lu Xun -- Epilogue: Through the microscope.
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|a "In 1739 China's emperor authorized the publication of a medical text that included images of children with smallpox to aid in the diagnosis and treatment of the disease. Those images made their way to Europe, where they were interpreted as indicative of the ill health and medical backwardness of the Chinese. In the mid-nineteenth century, the celebrated Cantonese painter Lam Qua collaborated with the American medical missionary Peter Parker in the creation of portraits of Chinese patients with disfiguring pathologies, rendered both before and after surgery. Europeans saw those portraits as evidence of Western medical prowess. Within China, the visual idiom that the paintings established influenced the development of medical photography. In The Afterlife of Images, Larissa N. Heinrich investigates the creation and circulation of Western medical discourses that linked ideas about disease to Chinese identity beginning in the eighteenth century." "Combining literary studies, the history of science, and visual culture studies, Heinrich analyzes the rhetoric and iconography through which medical missionaries transmitted to the West an image of China as "sick" or "diseased" She also examines the absorption of that image back into China through missionary activity, through the earliest translations of Western medical texts into Chinese, and even through the literature of Chinese nationalism. Heinrich argues that over time "scientific" Western representations of the Chinese body and culture accumulated a host of secondary meanings, taking on an afterlife with lasting consequences for conceptions of Chinese identity in China and beyond its borders."--Jacket
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|a English.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Medical illustration
|x History.
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|a Medicine in art
|x History.
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|a Missions, Medical
|z China
|x History.
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|a Medicine
|z China
|x History.
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|a Health attitudes.
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|a Cross-cultural studies.
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|a Medicine
|x History
|y 18th century.
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|a Europe.
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|a Medicine and art
|x History.
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|a Medicine in the Arts
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|a Attitude to Health
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|a Cross-Cultural Comparison
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|a History, 18th Century
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|a History, 19th Century
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|a History, 20th Century
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|a Medical Illustration
|x history
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|a Illustration médicale
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|a Missions médicales
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|a Médecine
|z Chine
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|x Histoire.
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|a Attitudes à l'égard de la santé.
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|a Études transculturelles.
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|a Médecine
|x Histoire
|y 18e siècle.
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|a Médecine
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|2 fast
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|2 fast
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|0 (OCoLC)fst01411628
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|i Print version:
|a Heinrich, Larissa.
|t Afterlife of images.
|d Durham : Duke University Press, 2008
|w (DLC) 2007032555
|w (OCoLC)164802735
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