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|a UAMI
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|a Brillenburg Wurth, Kiene,
|e author.
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|a Musically sublime :
|b indeterminacy, infinity, irresolvability /
|c Kiene Brillenburg Wurth.
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|a 1st ed.
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|a New York :
|b Fordham University Press,
|c 2009.
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|a 1 online resource (x, 224 pages)
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|a text
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|a Includes bibliographical references (pages 205-224).
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|a Print version record.
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|a This text rewrites musically the history and philosophy of the sublime. It performs this deconstruction by juxtaposing 18th- and 19th-century conceptions of the infinite, Sehnsucht, the divided self, and unconscious drives with contemporary readings of instrumental music.
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|a Empty signs and the Burkean sublime -- Sehnsucht, music, and the sublime -- Ruins and (un)forgetfulness : a genealogy of the musically sublime -- Sounds like now : form, contrariness, Romanticism, and the postmodern sublime -- Anxiety : the sublime as trauma and repetition -- Coda: The sublime, intermedially speaking.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Sublime, The, in music.
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|a Sublime dans la musique.
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|a LITERARY CRITICISM
|x Semiotics & Theory.
|2 bisacsh
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|a Sublime, The, in music
|2 fast
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|i Print version:
|a Wirth, Keine.
|t Musically Sublime : Indeterminacy, Infinity, Irresolvability.
|d Bronx : Fordham University Press, ©2009
|z 9780823230631
|z 9786612699078
|w (DLC) 2008047146
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|a Book collections on Project MUSE.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt14brzjk
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