Romantics and modernists in British cinema /

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In a fresh and invigorating look at British cinema John Orr examines the neglected relationship between romanticism and modernism from 1929 to the present-day. Encompassing a broad selection of films, film-makers and debates, this book brings a new perspective to how scholars might understand and in...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Orr, John, 1943-2010
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, ©2010.
Colección:Edinburgh studies in film.
Temas:
Geschichte.
Motion pictures > Great Britain > History.
Art and motion pictures > Great Britain.
Romanticism > Great Britain.
Modernism (Aesthetics) > Great Britain.
Motion pictures > Aesthetics.
Cinéma > Grande-Bretagne > Histoire.
Art et cinéma > Grande-Bretagne.
Romantisme > Grande-Bretagne.
Modernisme (Esthétique) > Grande-Bretagne.
Cinéma > Esthétique.
ART > Film & Video.
PERFORMING ARTS > Film & Video > Reference.
PERFORMING ARTS > Film & Video > General.
Art and motion pictures.
Modernism (Aesthetics)
Motion pictures.
Romanticism.
Film
Great Britain.
Großbritannien
Electronic books.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Copyright; Contents; Acknowledgements; List of fi gures; Introduction: romantics versus modernists?; CHAPTER 1 1929: romantics and modernists on the cusp of sound; CHAPTER 2 The running man: Hitchcock's fugitives and The Bourne Ultimatum; CHAPTER 3 Running man 2: Carol Reed and his contemporaries; CHAPTER 4 David Lean: the troubled romantic and the end of empire; CHAPTER 5 The trauma film from romantic to modern: A Matter of Life and Death to Don't Look Now; CHAPTER 6 Joseph Losey and Michelangelo Antonioni: the expatriate eye and the parallax view.

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