Absolute music, mechanical reproduction /

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Recordings are now the primary way we hear classical music, especially the more abstract styles of "absolute" instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nosta...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ashby, Arved Mark
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, ©2010.
Temas:
Gould, Glenn > Criticism and interpretation.
Schnabel, Artur, > 1882-1951 > Criticism and interpretation.
Gould, Glenn
Schnabel, Artur, > 1882-1951
1900 - 1999
Absolute music.
Sound recordings > Social aspects.
Music > Philosophy and aesthetics.
Performance practice (Music) > History > 20th century.
Music and technology.
Sound > Recording and reproducing > Digital techniques.
MP3 (Audio coding standard) > Social aspects.
Musique pure.
Musique > Philosophie et esthétique.
Pratique de l'exécution (Musique) > Histoire > 20e siècle.
Musique et technologie.
MP3 (Norme de codage audio) > Aspect social.
MUSIC > Recording & Reproduction.
MUSIC > Genres & Styles > Classical.
Absolute music
Music and technology
Music > Philosophy and aesthetics
Performance practice (Music)
Sound > Recording and reproducing > Digital techniques
Sound recordings > Social aspects
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The recorded musical text
  • Recording, repetition, and memory in absolute music
  • Schnabel's rationalism, Gould's pragmatism
  • Digital mythologies
  • Beethoven and the iPod Nation
  • Photo/phono/porno
  • Mahler as imagist.

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