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Island on the edge : Taiwan new cinema and after /
This English-language anthology on Taiwan new cinema and its legacy covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee, bringing together a range of essays that analyze individual films produced since the advent of Taiwan new cinema in the early 1980s.
| Clasificación: | Libro Electrónico |
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| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hong Kong :
Hong Kong University Press,
2005.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- The Terrorizer and the great divide in contemporary Taiwan's cultural development / Sung-sheng Yvonne Chang
- Reflections on the screen : Hou Hsiao Hsien's Dust in the Wind and the rhythms of the Taiwan new cinema / Haden Guest
- A Borrowed Life in Banana Paradise : de-Cold War/decolonization, or modernity and its tears / Chen Kuan-Hsing
- Hou Hsiao Hsien's City of Sadness : history and the dialogic female voice / Rosemary Haddon
- Myth(ology) mythologizing its own closure : Edward Yang's A Brighter Summer Day / Liu Yu-hsiu
- Hou Hsiao Hsien's The Puppetmaster : the poetics of landscape / Nick Browne
- Where is the love? : hyperbolic realism and indulgence in Vive L'Amour / Chris Berry
- Generational/cultural contradiction and global incorporation : Ang Lee's Eat Drink Man Woman / Ti Wei
- On Tsai Mingliang's The River / Gina Marchetti
- Compulsory orientalism : Hou Hsiao Hsien's Flowers of Shanghai / Nick Kaldis
- Another cinema : Darkness & Light / Feii Lu
- China simulacrum : genre, feminism, and Pan-Chinese cultural politics in Crouching Tiger, Hidden Dragon / Fran Martin.