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Island on the edge : Taiwan new cinema and after /
This English-language anthology on Taiwan new cinema and its legacy covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee, bringing together a range of essays that analyze individual films produced since the advent of Taiwan new cinema in the early 1980s.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hong Kong :
Hong Kong University Press,
2005.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Island on the edge : |b Taiwan new cinema and after / |c edited by Chris Berry and Feii Lu. |
| 260 | |a Hong Kong : |b Hong Kong University Press, |c 2005. | ||
| 300 | |a 1 online resource (ix, 195 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t The Terrorizer and the great divide in contemporary Taiwan's cultural development / |r Sung-sheng Yvonne Chang -- |t Reflections on the screen : Hou Hsiao Hsien's Dust in the Wind and the rhythms of the Taiwan new cinema / |r Haden Guest -- |t A Borrowed Life in Banana Paradise : de-Cold War/decolonization, or modernity and its tears / |r Chen Kuan-Hsing -- |t Hou Hsiao Hsien's City of Sadness : history and the dialogic female voice / |r Rosemary Haddon -- |t Myth(ology) mythologizing its own closure : Edward Yang's A Brighter Summer Day / |r Liu Yu-hsiu -- |t Hou Hsiao Hsien's The Puppetmaster : the poetics of landscape / |r Nick Browne -- |t Where is the love? : hyperbolic realism and indulgence in Vive L'Amour / |r Chris Berry -- |t Generational/cultural contradiction and global incorporation : Ang Lee's Eat Drink Man Woman / |r Ti Wei -- |t On Tsai Mingliang's The River / |r Gina Marchetti -- |t Compulsory orientalism : Hou Hsiao Hsien's Flowers of Shanghai / |r Nick Kaldis -- |t Another cinema : Darkness & Light / |r Feii Lu -- |t China simulacrum : genre, feminism, and Pan-Chinese cultural politics in Crouching Tiger, Hidden Dragon / |r Fran Martin. |
| 520 | 8 | |a This English-language anthology on Taiwan new cinema and its legacy covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee, bringing together a range of essays that analyze individual films produced since the advent of Taiwan new cinema in the early 1980s. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
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| 650 | 0 | |a Motion pictures |z Taiwan |x History. | |
| 650 | 0 | |a Motion picture producers and directors |z Taiwan. | |
| 650 | 6 | |a Cinéma |z Taiwan |x Histoire. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z Taiwan. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x Cultural. |2 bisacsh | |
| 650 | 7 | |a Motion picture producers and directors |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Taiwan |2 fast | |
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| 650 | 7 | |a Film |2 gnd | |
| 648 | 7 | |a Geschichte |2 swd | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Berry, Chris, |d 1959 April 28- | |
| 700 | 1 | |a Lu, Feiyi. | |
| 773 | 0 | |t HKU Press digital editions. | |
| 776 | 0 | 8 | |i Print version: |t Island on the edge. |d Hong Kong : Hong Kong University Press, 2005 |z 9789622097155 |w (DLC) 2006432891 |w (OCoLC)57354282 |
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