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Eloquence is power : oratory & performance in early America /

Oratory emerged as the first major form of verbal art in early America because, as John Quincy Adams observed in 1805, ""eloquence was POWER."" In this book, Sandra Gustafson examines the multiple traditions of sacred, diplomatic, and political speech that flourished in British A...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gustafson, Sandra M.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill : Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia, by the University of North Carolina Press, ©2000.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Gustafson, Sandra M. 
245 1 0 |a Eloquence is power :  |b oratory & performance in early America /  |c Sandra M. Gustafson. 
260 |a Chapel Hill :  |b Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia, by the University of North Carolina Press,  |c ©2000. 
300 |a 1 online resource (xxv, 287 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references and index. 
505 8 |a Machine generated contents note: Chapter One: Gender in Performance 40 -- i. Evangelical Performance of Speech and Text 40 -- ii. Women's Speech and Women's Silence in Jonathan Edwards's First -- Northampton Revival 51 -- iii. The "Feminine" in Performance 61 -- Chapter Two: The "Savage" Speaker Transformed 75 -- i. Cultural Hybridism in Evangelical Oratory 75 -- ii. Competing Words 78 -- iii. Samson Occom's Pentecostal Indian Speech go -- iv. John Marrant, "Savage" Speaker lol -- Chapter Three: Negotiating Power iii -- i, Republicanism and the Eloquent Indian ill -- ii, Iroquois and American Publics 119 -- Chapter Four: The Oratorical Public Culture of Revolutionary America 140 -- i, Medium and Message in Revolutionary Public Culture 140 -- ii, Speech, Presence, and Representation 144 -- iii, The Transformative Speech of Patrick Henry 158 -- Chapter Five: The Body of the Nation 171 -- i. "Words of Reproach" and "Written Reason" 171 -- ii. Authoritative Bodies 184 -- Chapter Six: Forms of State 200 -- i. Documents and Debates 200 -- ii. Performing the Presidency 213 -- Chapter Seven: Political Speech in the New Republic 233 -- i. Representative Speech 233 -- ii. Figures of Difference 246 -- Conclusion 267 -- Appendix: Traditions of the Ancients 271 -- Index 279. 
588 0 |a Print version record. 
520 |a Oratory emerged as the first major form of verbal art in early America because, as John Quincy Adams observed in 1805, ""eloquence was POWER."" In this book, Sandra Gustafson examines the multiple traditions of sacred, diplomatic, and political speech that flourished in British America and the early republic from colonization through 1800. She demonstrates that, in the American crucible of cultures, contact and conflict among Europeans, native Americans, and Africans gave particular significance and complexity to the uses of the spoken word. Gustafson develops what she calls the performance. 
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650 0 |a Oratory  |z United States  |x History  |y 17th century. 
650 0 |a Oratory  |z United States  |x History  |y 18th century. 
650 6 |a Art oratoire  |z États-Unis  |x Histoire  |y 17e siècle. 
650 6 |a Art oratoire  |z États-Unis  |x Histoire  |y 18e siècle. 
650 7 |a HISTORY  |z United States  |x Revolutionary Period (1775-1800)  |2 bisacsh 
650 7 |a Oratory  |2 fast 
651 7 |a United States  |2 fast 
648 7 |a 1600-1799  |2 fast 
655 7 |a History  |2 fast 
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