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Theory into practice : composition, performance and the listening experience /
"Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute.The centrale theme of this book is...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven, Belgium :
Leuven University Press,
1999.
|
| Colección: | Collected writings of the Orpheus Institute.
#2. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Cook, Nicholas, |d 1950- | |
| 245 | 1 | 0 | |a Theory into practice : |b composition, performance and the listening experience / |c Nicholas Cook, Peter Johnson, Hans Zender. |
| 260 | |a Leuven, Belgium : |b Leuven University Press, |c 1999. | ||
| 300 | |a 1 online resource (119 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Collected writings of the Orpheus Institute ; |v #2 | |
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a Words about music, or analysis versus performance / Nicolas Cook -- Performance and the listening experience : Bach's "Erbarme Dich" / Peter Johnson -- A roadmap for Orpheus? About non-linear codes of music for the descent into its Underworld / Hans Zender. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a "Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute.The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency.Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance.The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions." | ||
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| 650 | 0 | |a Music theory. | |
| 650 | 0 | |a Composition (Music) | |
| 650 | 6 | |a Analyse musicale. | |
| 650 | 6 | |a Théorie musicale. | |
| 650 | 6 | |a Composition (Musique) | |
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| 650 | 7 | |a Composition (Music) |2 fast |0 (OCoLC)fst00871761 | |
| 650 | 7 | |a Music theory. |2 fast |0 (OCoLC)fst01030620 | |
| 650 | 7 | |a Musical analysis. |2 fast |0 (OCoLC)fst01030696 | |
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| 650 | 7 | |a Interpretação musical. |2 larpcal | |
| 653 | |a musical composition; performance; listening experience; analysis | ||
| 700 | 1 | |a Johnson, Peter, |d 1945 April 30- | |
| 700 | 1 | |a Zender, Hans. | |
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| 776 | 0 | 8 | |i Print version: |a Cook, Nicholas, 1950- |t Theory into practice. |d Leuven, Belgium : Leuven University Press, 1999 |w (OCoLC)44501613 |
| 830 | 0 | |a Collected writings of the Orpheus Institute. |l Dutch ; |v #2. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1rh36q7 |z Texto completo |
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