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Our musicals, ourselves : a social history of the American musical theater /
"Our Musicals, Ourselves is the first full-scale social history of the American musical theatre from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate the...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hanover :
Brandeis University Press, published by University Press of New England,
©2003.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Jones, John Bush, |e author. | |
| 245 | 1 | 0 | |a Our musicals, ourselves : |b a social history of the American musical theater / |c John Bush Jones. |
| 260 | |a Hanover : |b Brandeis University Press, published by University Press of New England, |c ©2003. | ||
| 300 | |a 1 online resource (xiii, 411 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 375-390) and index. | ||
| 505 | 0 | |a Patriotism, xenophobia, and World War I -- The musicals of the roaring twenties -- Coping with Depression -- World War II and the Rodgers and Hammerstein years -- From isolationism to idealism in the Cold War years -- Black and Jewish musicals since the 1960s -- Issue-driven musicals of the turbulent years -- Fragmented society, fragmented musicals -- A recycled culture, nostalgia, and spectacle -- New voices, new perspectives. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | 1 | |a "Our Musicals, Ourselves is the first full-scale social history of the American musical theatre from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate the genre only with diversionary shows like The Music Man or My Fair Lady, John Bush Jones singles out musicals for their social relevance. He is interested in how they engage, directly or metaphorically, contemporary politics and culture."--Jacket | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Musicals |z United States |x History and criticism. | |
| 650 | 0 | |a Musical theater |x Social aspects |z United States. | |
| 650 | 6 | |a Comédies musicales |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Théâtre musical |x Aspect social |z États-Unis. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x General. |2 bisacsh | |
| 650 | 7 | |a Musicals |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 650 | 1 | 7 | |a Musicals. |2 gtt |
| 650 | 1 | 7 | |a Sociale aspecten. |2 gtt |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Jones, John Bush. |t Our musicals, ourselves. |d Hanover : Brandeis University Press, published by University Press of New England, ©2003 |w (DLC) 2003000240 |w (OCoLC)51342643 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv102bhfv |z Texto completo |
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