Cargando…
Painting outside the lines : patterns of creativity in modern art /
Why have some great modern artists--including Picasso--produced their most important work early in their careers while others--like Cezanne--have done theirs late in life? In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of mor...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Mass. :
Harvard University Press,
©2001.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ia 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn651662965 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 100802s2001 maua ob 001 0 eng d | ||
| 010 | |z 2001024755 | ||
| 040 | |a N$T |b eng |e pn |c N$T |d OCLCE |d YDXCP |d OCLCQ |d E7B |d CNKEY |d OCLCQ |d FVL |d OCLCQ |d OCLCF |d OCLCO |d NLGGC |d OCLCA |d S4S |d COO |d OCLCQ |d OCLCO |d EBLCP |d OCLCO |d OCLCQ |d OCLCO |d OCL |d OCLCQ |d AZK |d OCLCO |d COCUF |d AGLDB |d MOR |d PIFAG |d ZCU |d OTZ |d MERUC |d OCLCQ |d U3W |d STF |d WRM |d OCLCQ |d VTS |d ICG |d NRAMU |d VT2 |d AU@ |d OCLCQ |d WYU |d DKC |d OCLCQ |d CEF |d UX1 |d HS0 |d ADU |d OCLCQ |d OCLCA |d INARC |d AJS |d JSTOR |d OCLCO |d OCLCQ |d OCLCO | ||
| 016 | 7 | |a 000022637971 |2 AU | |
| 019 | |a 301225293 |a 606644216 |a 732606075 |a 732807164 |a 733240382 |a 748092578 |a 748605696 |a 764542163 |a 830511589 |a 889049362 |a 923117310 |a 961491832 |a 962563822 |a 975210029 |a 975244382 |a 988485994 |a 992065255 |a 994966016 |a 1016942614 |a 1018022109 |a 1037933101 |a 1038668180 |a 1043634303 |a 1055384546 |a 1057980969 |a 1062888241 |a 1064164037 |a 1065116864 |a 1100825816 |a 1101731451 |a 1109102344 |a 1113448005 |a 1119114621 |a 1119122833 |a 1135615999 |a 1194904505 |a 1227642193 |a 1228592296 |a 1249169467 |a 1257343092 |a 1257363203 |a 1297041325 |a 1300805602 | ||
| 020 | |a 9780674037472 |q (electronic bk.) | ||
| 020 | |a 0674037472 |q (electronic bk.) | ||
| 020 | |a 0674006127 |q (alk. paper) | ||
| 020 | |a 9780674006126 |q (alk. paper) | ||
| 029 | 1 | |a AU@ |b 000051598172 | |
| 029 | 1 | |a AU@ |b 000053267261 | |
| 029 | 1 | |a DEBBG |b BV043132271 | |
| 029 | 1 | |a DEBBG |b BV044099706 | |
| 029 | 1 | |a DEBSZ |b 421975946 | |
| 029 | 1 | |a NZ1 |b 13866417 | |
| 029 | 1 | |a AU@ |b 000054175045 | |
| 029 | 1 | |a DKDLA |b 820120-katalog:999932219705765 | |
| 035 | |a (OCoLC)651662965 |z (OCoLC)301225293 |z (OCoLC)606644216 |z (OCoLC)732606075 |z (OCoLC)732807164 |z (OCoLC)733240382 |z (OCoLC)748092578 |z (OCoLC)748605696 |z (OCoLC)764542163 |z (OCoLC)830511589 |z (OCoLC)889049362 |z (OCoLC)923117310 |z (OCoLC)961491832 |z (OCoLC)962563822 |z (OCoLC)975210029 |z (OCoLC)975244382 |z (OCoLC)988485994 |z (OCoLC)992065255 |z (OCoLC)994966016 |z (OCoLC)1016942614 |z (OCoLC)1018022109 |z (OCoLC)1037933101 |z (OCoLC)1038668180 |z (OCoLC)1043634303 |z (OCoLC)1055384546 |z (OCoLC)1057980969 |z (OCoLC)1062888241 |z (OCoLC)1064164037 |z (OCoLC)1065116864 |z (OCoLC)1100825816 |z (OCoLC)1101731451 |z (OCoLC)1109102344 |z (OCoLC)1113448005 |z (OCoLC)1119114621 |z (OCoLC)1119122833 |z (OCoLC)1135615999 |z (OCoLC)1194904505 |z (OCoLC)1227642193 |z (OCoLC)1228592296 |z (OCoLC)1249169467 |z (OCoLC)1257343092 |z (OCoLC)1257363203 |z (OCoLC)1297041325 |z (OCoLC)1300805602 | ||
| 037 | |b 00011705 | ||
| 037 | |a 22573/ctv218mfqt |b JSTOR | ||
| 042 | |a dlr | ||
| 043 | |a n-us--- |a e-fr--- | ||
| 050 | 4 | |a ND212 |b .G25 2001eb | |
| 072 | 7 | |a ART |x 020000 |2 bisacsh | |
| 072 | 7 | |a ART |x 009000 |2 bisacsh | |
| 072 | 7 | |a ART |x 015100 |2 bisacsh | |
| 072 | 7 | |a ART |x 027000 |2 bisacsh | |
| 082 | 0 | 4 | |a 750/.1/9 |2 22 |
| 084 | |a 21.02 |2 bcl | ||
| 049 | |a UAMI | ||
| 100 | 1 | |a Galenson, David W. | |
| 245 | 1 | 0 | |a Painting outside the lines : |b patterns of creativity in modern art / |c David W. Galenson. |
| 260 | |a Cambridge, Mass. : |b Harvard University Press, |c ©2001. | ||
| 300 | |a 1 online resource (xvi, 251 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 504 | |a Includes bibliographical references (pages 225-240) and index. | ||
| 505 | 0 | |a The problem -- Artists, ages, and prices -- Market values and critical evaluation -- Importance in modern art -- Experimental and conceptual innovators -- Paris from Manet to Miró -- New York from Marin to minimalism -- Intergenerational conflict in modern art -- The changing careers of modern artists. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 520 | 8 | |a Why have some great modern artists--including Picasso--produced their most important work early in their careers while others--like Cezanne--have done theirs late in life? In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of more than 100 modern painters to disclose a fascinating relationship between age and artistic creativity. Galenson's analysis of the careers of figures such as Monet, Seurat, Matisse, Pollock, and Jasper Johns reveals two very different methods by which artists have made innovations, each associated with a very different pattern of discovery over the life cycle. Experimental innovators, like Cezanne, work by trial and error, and arrive at their most important contributions gradually. In contrast, Picasso and other conceptual innovators make sudden breakthroughs by formulating new ideas. Consequently, experimental innovators usually make their discoveries late in their lives, whereas conceptual innovators typically peak at an early age. A novel contribution to the history of modern art, both in method and in substance, Painting outside the Lines offers an enlightening glimpse into the relationship between the working methods and the life cycles of modern artists. The book's explicit use of simple but powerful quantitative techniques allows for systematic generalization about large numbers of artists--and illuminates significant but little understood features of the history of modern art. Pointing to a new and richer understanding of that history, from Impressionism to Abstract Expressionism and beyond, Galenson's work also has broad implications for future attempts to understand the nature of human creativity in general. | |
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Painting, American |y 20th century. | |
| 650 | 0 | |a Painting, French |y 19th century. | |
| 650 | 0 | |a Painting, French |y 20th century. | |
| 650 | 0 | |a Creation (Literary, artistic, etc.) |x History. | |
| 650 | 0 | |a Painters |x Psychology. | |
| 650 | 6 | |a Peinture américaine |y 20e siècle. | |
| 650 | 6 | |a Peinture française |y 19e siècle. | |
| 650 | 6 | |a Peinture française |y 20e siècle. | |
| 650 | 6 | |a Création (Arts) |x Histoire. | |
| 650 | 6 | |a Peintres |x Psychologie. | |
| 650 | 7 | |a ART |x Techniques |x Painting. |2 bisacsh | |
| 650 | 7 | |a ART / Criticism & Theory |2 bisacsh | |
| 650 | 7 | |a Creation (Literary, artistic, etc.) |2 fast | |
| 650 | 7 | |a Painters |x Psychology |2 fast | |
| 650 | 7 | |a Painting, American |2 fast | |
| 650 | 7 | |a Painting, French |2 fast | |
| 650 | 1 | 7 | |a Schilderkunst. |2 gtt |
| 650 | 1 | 7 | |a Vernieuwing. |2 gtt |
| 650 | 1 | 7 | |a Leeftijd. |2 gtt |
| 650 | 1 | 7 | |a Creativiteit. |2 gtt |
| 650 | 1 | 7 | |a Psychologische aspecten. |2 gtt |
| 648 | 7 | |a 1800-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Galenson, David W. |t Painting outside the lines. |d Cambridge, Mass. : Harvard University Press, ©2001 |z 9780674006126 |w (DLC) 2001024755 |w (OCoLC)46807584 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv219kxp1 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL3300810 | ||
| 938 | |a ebrary |b EBRY |n ebr10400490 | ||
| 938 | |a EBSCOhost |b EBSC |n 281913 | ||
| 938 | |a YBP Library Services |b YANK |n 3367772 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37531935 | ||
| 938 | |a Internet Archive |b INAR |n paintingoutsidel0000gale | ||
| 994 | |a 92 |b IZTAP | ||