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The American musical and the performance of personal identity /
The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
2009.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Knapp, Raymond. | |
| 245 | 1 | 4 | |a The American musical and the performance of personal identity / |c Raymond Knapp. |
| 260 | |a Princeton, N.J. : |b Princeton University Press, |c 2009. | ||
| 300 | |a 1 online resource (xv, 470 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 433-447) and index. | ||
| 520 | |a The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project. This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers three overlapping genres that are central, in quite different ways, to the projection of personal identity: operetta, movie musicals, and operatic musicals. --From publisher's description. | ||
| 505 | 0 | |a Personal genres. The Viennese connection : Franz Lehár and American operetta (The merry widow (1907). Naughty Marietta (1910). Little Mary Sunshine (1959). A little night music (1973)) -- The movie musical (Singin' in the rain (film, 1952). Stormy weather (film, 1943) and Bamboozled (film, 2000). Meet me in St. Louis (film, 1944). Moulin Rouge (film, 2001) and Chicago (film, 2002)). | |
| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a Musicals |z United States |x History and criticism. | |
| 650 | 0 | |a Musicals |x Social aspects |z United States. | |
| 650 | 0 | |a Personality and culture. | |
| 650 | 0 | |a Musical films |z United States |x History and criticism. | |
| 650 | 6 | |a Comédies musicales |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Personnalité et culture. | |
| 650 | 6 | |a Films musicaux |z États-Unis |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Musicals. |2 bisacsh | |
| 650 | 7 | |a Musical films. |2 fast |0 (OCoLC)fst01030715 | |
| 650 | 7 | |a Motion pictures |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Musicals |2 fast |0 (OCoLC)fst01030814 | |
| 650 | 7 | |a Personality and culture |2 fast |0 (OCoLC)fst01058705 | |
| 651 | 7 | |a United States |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Knapp, Raymond. |t American musical and the performance of personal identity. |d Princeton, N.J. ; Woodstock : Princeton University Press, 2009 |z 9780691141053 |w (OCoLC)276340707 |
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