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|a Tian, Min,
|d 1958-
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|a The poetics of difference and displacement :
|b twentieth-century Chinese-Western intercultural theatre /
|c Min Tian.
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|a Hong Kong :
|b Hong Kong University Press,
|c ©2008.
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|a 1 online resource (x, 282 pages) :
|b illustrations
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|a text
|b txt
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|a Includes bibliographical references (pages 253-271) and index.
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|a "The Poetics of Difference and Displacement is the first book in English that systematically investigates the twentieth-century Chinese-Western intercultural theatre. It demonstrates that what is central to the making of the twentieth-century Chinese-Western intercultural theatre is what the author calls the poetics of difference and displacement, which underlies its most significant aspects." "The Poetics of Difference and Displacement views intercultural theatre as a process of displacement and re-placement of culturally specified and differentiated theatrical forces, rejecting any universalist or essentialist presumptions. It approaches the twentieth-century Chinese-Western intercultural theatre from an aesthetic as well as a social-historic, cultural-political perspective. It examines both the Western theatre's interpretation and interculturation of the Chinese theatre by Bertolt Brecht, Vsevolod Meyerhold, Gordon Craig, Eugenio Barba and Peter Sellars and modern Chinese theatre's interpretation and interculturation of the Western theatre." "This book will appeal to a broad range of readers including academics and students in theatre, performance, and cultural studies. It will also be of interest to a general audience of Chinese culture and intercultural communication."--Jacket.
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|a List of Illustrations; Acknowledgements; Introduction; Part One; 1 -- From the Neo-Classical to the Early Avant-Garde: Europe's First Encounters with Traditional Chinese Theatre; 2 -- The Effect of Displacement: Brecht's Concept of the "Alienation Effect" and Traditional Chinese Theatre; 3 -- Re-Theatricalizing the Theatre of the Grotesque: Meyerhold's "Theatre of Convention" and Traditional Chinese Theatre; 4 -- "The Danger of Knowing All About the East": Gordon Craig, Mei Lanfang and the Chinese Theatre.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Drama
|y 20th century
|x History and criticism.
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|a Theater
|z Western countries
|x History
|y 20th century.
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|a Chinese drama
|y 20th century
|x History and criticism.
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|a Theater
|z China
|x History
|y 20th century.
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|a Intercultural communication.
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|a Civilization, Western
|x Chinese influences.
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|a China
|x Civilization
|x Western influences.
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|a Théâtre
|z Occident
|x Histoire
|y 20e siècle.
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|a Théâtre chinois
|y 20e siècle
|x Histoire et critique.
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|a Théâtre
|z Chine
|x Histoire
|y 20e siècle.
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|a Chine
|x Civilisation
|x Influence occidentale.
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|a TRAVEL
|x Special Interest
|x Literary.
|2 bisacsh
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|a LITERARY CRITICISM
|x General.
|2 bisacsh
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|a POETRY
|x Asian
|x General.
|2 bisacsh
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|a Chinese drama
|2 fast
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|a Civilization, Western
|x Chinese influences
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|a Civilization
|x Western influences
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|a Drama
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|a Intercultural communication
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|a Theater
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|a China
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|a Western countries
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|a Drama
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|a Interkulturalität
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|a Westliche Welt
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|a China
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|a 1900-1999
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|a Geschichte 1900-2000
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|a Criticism, interpretation, etc.
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|a History
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|i Print version:
|a Tian, Min.
|t Poetics of difference and displacement.
|d Hong Kong : Hong Kong University Press, ©2008
|z 9789622099074
|w (DLC) 2008438019
|w (OCoLC)225876250
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt2jbxzf
|z Texto completo
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