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|a UAMI
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|a Kloet, Jeroen de.
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|a China with a cut :
|b globalisation, urban youth and popular music /
|c Jeroen de Kloet.
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|a Globalisation, urban youth and popular music
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|a Amsterdam :
|b Amsterdam University Press,
|c ©2010.
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|a 1 online resource (255 pages) :
|b illustrations, map.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a data file
|2 rda
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|a IIAS publications series. Monographs ;
|v 3
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|a Includes bibliographical references (pages 231-243) and index.
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|a Print version record.
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|a In the wake of intense globalisation and commercialisation in the 1990s, China saw the emergence of a vibrant popular culture. Drawing on sixteen years of research, Jeroen de Kloet explores the popular music industry in Beijing, Hong Kong and Shanghai, providing a fascinating history of its emergence and extensive audience analysis, while also exploring the effect of censorship on the music scene in China. China with a Cut pays particular attention to the dakou culture: so named after a cut nicked into the edge to render them unsellable, these illegally imported Western CDs still play most of the tracks. They also played a crucial role in the emergence of the new music and youth culture. De Kloet's impressive study demonstrates how the young Chinese cope with the rapid economic and social changes in a period of intense globalisation, and offers a unique insight into the socio-cultural and political transformations of a rising global power.
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|g Machine generated contents note:
|t Cosmopolitan Poses and Haunting Questions --
|t From Liumang to Dakou and Balinghou --
|t Geography of Chinese Rock --
|t This Book --
|g 1.
|t Hard Scenes --
|t Scenic Move --
|t Underground --
|t Heavy Metal --
|t Hardcore Punk --
|t Hip-hop --
|t Interim --
|g 2.
|t Hyphenated Scenes --
|t Multiplicity --
|t Folk-rock --
|t Pop-rock --
|t Pop-punk --
|t Fashionable Bands --
|t Ending a Scenic Journey --
|g 3.
|t Subaltern Sounds --
|t Marginal Voices --
|t Gendering Music --
|t Southern Vices --
|t Seductive Sounds --
|t Femininity, Locality and Opacity --
|g 4.
|t Musical Taste and Technologies of the Self --
|t Music and Society --
|t Youth in Fin-de-siecle Beijing --
|t Music Preferences and Involvement --
|t Gendered Self --
|t Generational Differences --
|t Place and Belonging --
|t Building Subjectivity --
|t Political Self --
|t Technology and Control --
|g 5.
|t Producing, Localising and Silencing Sounds --
|t Seductive Narratives --
|t Market Fantasies --
|t Cultural Be/Longings --
|t Silencing Sounds --
|t Commercial Complexities --
|t Conclusion: Paradoxical Performances --
|t Mirrors --
|t Deparadoxicalisation --
|t Sonic Hierarchies --
|t Binary Socialism.
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|a English.
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
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650 |
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|a Music
|z China
|y 20th century
|x History and criticism.
|
650 |
|
0 |
|a Music trade
|z China
|x History
|y 20th century.
|
650 |
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|a Music audiences
|z China
|x History
|y 20th century.
|
650 |
|
6 |
|a Musique
|x Industrie
|z Chine
|x Histoire
|y 20e siècle.
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650 |
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|a Musique
|x Publics
|z Chine
|x Histoire
|y 20e siècle.
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650 |
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|a MUSIC
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|2 bisacsh
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|a SOCIAL SCIENCE
|x Ethnic Studies
|x General.
|2 bisacsh
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7 |
|a Music audiences.
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|a Music
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|a Music trade.
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651 |
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|a China.
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|0 (OCoLC)fst01206073
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648 |
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|a 1900-1999
|2 fast
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655 |
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|a Electronic books.
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
776 |
0 |
8 |
|i Print version:
|a Kloet, Jeroen de.
|t China with a cut.
|d Amsterdam : Amsterdam University Press, ©2010
|z 9789089641625
|w (OCoLC)457149217
|
830 |
|
0 |
|a IIAS publications series.
|p Monographs ;
|v 3.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt46n1gn
|z Texto completo
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