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Modernist avant-garde aesthetics and contemporary military technology : technicities of perception /

New in Paperback. Examines the tensions between the aims of military technology and modernist aesthetics in relation to perception. This book analyses the operation of mechanical and electronic technologies in connection with two seemingly disparate fields: state-of-the-art military equipment of the...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bishop, Ryan, 1959-
Otros Autores: Phillips, John, 1956-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, ©2010.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Bishop, Ryan,  |d 1959- 
245 1 0 |a Modernist avant-garde aesthetics and contemporary military technology :  |b technicities of perception /  |c Ryan Bishop and John Phillips. 
260 |a Edinburgh :  |b Edinburgh University Press,  |c ©2010. 
300 |a 1 online resource (ix, 238 pages) :  |b illustrations 
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504 |a Includes bibliographical references and index. 
505 0 |a Aesthetics, poetics, prostehtics. The slow and the blind : unhinging the senses to harness them ; Sighted weapons and modernist opacity : aesthetics, poetics, prosthetics ; We make it beautiful ; We don't make it beautiful -- Broadcast, hinge, emergency. Ventriloquism, broadcast and technologies of narrative ; The military body and the curious logic of the hinge ; Manufacturing emergencies ; Among the blind and the delay -- Surveillance, targeting, containment. Strategies and technologies of containment : containing the political ; Scoping out ; Satellites of love and war. 
588 0 |a Print version record. 
520 |a New in Paperback. Examines the tensions between the aims of military technology and modernist aesthetics in relation to perception. This book analyses the operation of mechanical and electronic technologies in connection with two seemingly disparate fields: state-of-the-art military equipment of the 20th and 21st centuries and the experimental art, music and writing of the late-19th and early-20th century. Reading the art and writing of Djuna Barnes, Joseph Conrad, Marcel Duchamp, James Joyce, Mina Loy, Stephane Mallarme, the Italian Futurists and H. G. Wells against Apache attack helicopters, Network-Centric Warfare, satellites, decoys, sirens and radios, this book addresses issues such as targeting, surveillance, visibility and the invisible, broadcast and media, the military body, diasporas, geopolitics and beauty. Key Features. An important contribution to the increasingly important interdisciplinary field of war studies Original and groundbreaking readings of modernist art, literature, music, poetics and aesthetics Gives a valuable and provocative reading of the avant-garde Contributes to a new understanding of both military technics and modernist aesthetics 
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