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|a Bailey, Amanda,
|d 1966-
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|a Flaunting :
|b style and the subversive male body in Renaissance England /
|c Amanda Bailey.
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|a Toronto :
|b University of Toronto Press,
|c ©2007.
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|a 1 online resource (x, 190 pages)
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|a text
|b txt
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|a Includes bibliographical references (pages 175-184) and index.
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|a 'Style is the man': defiant aesthetics and the culture of male youth -- Monstrous manner: clothing law and the early modern theatre -- Livery and its discontents in 'The Taming of the Shrew' -- The Italian vice and bad taste in Edward II -- Plotting style in Ben Jonson's London.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
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|a Print version record.
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|a In the early modern period, the theatrical stage offered one of the most popular forms of entertainment and aesthetic pleasure. It also fulfilled an important cultural function by displaying modes of behaviour and dramatizing social interaction within a community. Flaunting argues that the theatre in late sixteenth-century England created the conditions for a subculture of style whose members came to distinguish themselves by their sartorial extravagance and social impudence. Drawing on evidence from legal documents, economic treatises, domestic manuals, accounts of playhouse practices, and stage plays, Amanda Bailey critiques standard accounts maintaining that those who flaunted their apparel were simply aspirants, or gaudy versions of the superiors they sought to emulate. Instead, she suggests that what mattered most was not what these young men wore but how they wore their clothes. These young men shared a distinctive sartorial sensibility and used that sensibility to undermine authority at all levels of society. Flaunting therefore, examines male style as a visual form of subversion against the norms of Renaissance England with the stage as the primary source of inspiration for collective identification. A glimpse into both the celebration of and opposition to social irreverence in the early modern period, Flaunting is a fascinating historical account of drama, fashion, and rebellion with surprisingly close parallels to the contemporary world.
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|a JSTOR
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|a Young men
|x Clothing
|z England
|x History
|y 16th century.
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650 |
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|a Young men
|x Clothing
|z England
|x History
|y 17th century.
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650 |
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|a Clothing and dress
|z England
|x History
|y 16th century.
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|a Clothing and dress
|z England
|x History
|y 17th century.
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650 |
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|a Costume
|z England
|x History
|y 16th century.
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|a Costume
|z England
|x History
|y 17th century.
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|a Theater and society
|z England
|x History
|y 16th century.
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|a Theater and society
|z England
|x History
|y 17th century.
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|a European drama
|y Renaissance, 1450-1600
|x History and criticism.
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|a Jeunes hommes
|x Vêtements
|z Angleterre
|x Histoire
|y 16e siècle.
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|a Jeunes hommes
|x Vêtements
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|x Histoire
|y 17e siècle.
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|a Costume
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|y 16e siècle.
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|a Costume
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|y 17e siècle.
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|a Vêtements
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|y 16e siècle.
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|a Vêtements
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|y 17e siècle.
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|a Théâtre et société
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|a Théâtre et société
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|a Théâtre européen
|y 1450-1600 (Renaissance)
|x Histoire et critique.
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|a HISTORY
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|2 bisacsh
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|a HEALTH & FITNESS
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|a Clothing and dress.
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|a Costume.
|2 fast
|0 (OCoLC)fst00880759
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|a Theater and society.
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|a England.
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|a Geschichte 1500-1700.
|2 swd
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|a Criticism, interpretation, etc.
|2 fast
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|0 (OCoLC)fst01411628
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|i Print version:
|a Bailey, Amanda, 1966-
|t Flaunting.
|d Toronto : University of Toronto Press, ©2007
|w (DLC) 2008353675
|w (OCoLC)86225802
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