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Theatricality as medium /

Ever since Aristotle's Poetics, both the theory and the practice of theater have been governed by the assumption that it is a form of representation dominated by what Aristotle calls the "mythos," or the "plot." This conception of theater has subordinated characteristics rel...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Weber, Samuel, 1940-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Fordham University Press, 2004.
Edición:1st ed.
Colección:Forms of living.
Temas:
Acceso en línea:Texto completo

MARC

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490 1 |a Forms of living 
504 |a Includes bibliographical references (pages 367-400) and index. 
505 0 0 |t Introduction: theatricality as medium --  |t Theatrocracy; or surviving the break --  |t Technics, theatricality, installation --  |t Scene and screen: electronic media and theatricality /  |r --  |t Antigone's Nomos --  |t The place of death: Oedipus at Colonus --  |t Storming the work: allegory and theatricality in Benjamin's Origin of the German Mourning Play --  |t "Ibi et ubique": the incontinent plot (Hamlet) --  |t Kierkegaard's Posse --  |t After the end: Adorno --  |t Psychoanalysis and theatricality --  |t "The virtual reality of Theater": Antonin Artaud --  |t Double take: acting and writing in Genet's "The strange word Urb" --  |t "Being ... and eXistenZ": some preliminary considerations on theatricality in film --  |t "War," "Terrorism," and "spectacle": on towers and caves --  |t Stages and plots: theatricality after September 11, 2001. 
520 |a Ever since Aristotle's Poetics, both the theory and the practice of theater have been governed by the assumption that it is a form of representation dominated by what Aristotle calls the "mythos," or the "plot." This conception of theater has subordinated characteristics related to the theatrical medium, such as the process and place of staging, to the demands of a unified narrative. This readable, thought-provoking, and multidisciplinary study explores theatrical writings that question this aesthetical-generic conception and seek instead to work with the medium of theatric. 
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