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|a UAMI
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|a Protest song in East and West Germany since the 1960s /
|c edited by David Robb.
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|a Rochester, N.Y. :
|b Camden House,
|c 2007.
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|a 1 online resource (320 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
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|a data file
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|a Studies in German Literature Linguistics and Culture
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|a Includes bibliographical references (pages 279-299) and index.
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|a The reception of Vormärz and 1848 revolutionary song in West Germany and the GDR ; Mühsam, Brecht, Eisler, and the twentieth-century revolutionary heritage ; Narrative role-play as communication strategy in German protest song / David Robb -- The Burg Waldeck festivals, 1964-1969 ; The folk and Liedermacher scene in the federal republic in the 1970s and 1980s / Eckhard Holler -- Konstantin Wecker : political songs between anarchy and humanity / Annette Blühdorn -- Wolf Biermann : die Heimat ist weit / Peter Thompson -- Political song in the GDR : the cat-and-mouse game with censorship and institutions ; The demise of political song and the new discourse of techno in the Berlin republic / David Robb.
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|a Print version record.
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|a The modern German political song is a hybrid of high and low culture. With its roots in the birth of mass culture in the 1920s, it employs communicative strategies of popular song. Yet its tendencies toward philosophical, poetic, and musical sophistication reveal intellectual aspirations. This volume looks at the influence of revolutionary artistic traditions in the lyrics and music of the 'Liedermacher' of east and west Germany: the rediscovery of the revolutionary songs of 1848 by the 1960s West German folk revival, the use of the profane 'carnivalesque' street-ballad tradition by Wolf Biermann and the GDR duo Wenzel & Mensching, the influence of 1920s artistic experimentation on 'Liedermacher' such as Konstantin Wecker, and the legacy of Hanns Eisler's revolutionary song theory. The book also provides an insider perspective on the countercultural scenes of the two Germanys, examining the conditions in which political songs were written and performed. In view of the decline of the political song form since the fall of communism, the book ends with a look at German avant-garde techno's attempt to create a music that challenges conventional cultural perceptions and attitudes. CONTRIBUTORS: DAVID ROBB, ECKARD HOLLER, ANNETTE BLüHDORN, PETER THOMPSON. David Robb is Senior Lecturer in German Studies at the Queen's University of Belfast.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Protest songs
|z Germany
|y 20th century
|x History and criticism.
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|a Music
|x Political aspects
|z Germany
|y 20th century.
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|a Chansons contestataires
|z Allemagne
|y 20e siècle
|x Histoire et critique.
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|a Musique
|x Aspect politique
|z Allemagne
|y 20e siècle.
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|a LITERARY CRITICISM
|x European
|x German.
|2 bisacsh
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|a Music
|x Political aspects
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|a Protest songs
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|a Germany
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|a 1900-1999
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|a Criticism, interpretation, etc.
|2 fast
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|a Robb, David,
|d 1962-
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|i Print version:
|t Protest song in East and West Germany since the 1960s.
|d Rochester, N.Y. : Camden House, 2007
|w (DLC) 2007013056
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|a Studies in German literature, linguistics, and culture.
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt81x98
|z Texto completo
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|a Internet Archive
|b INAR
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|a Askews and Holts Library Services
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|a ProQuest Ebook Central
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