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A companion to Pablo Neruda : evaluating Neruda's poetry /

Pablo Neruda was without doubt one of the greatest poets of the twentieth century but his work is extremely uneven. There is a view that there are two Nerudas, an early Romantic visionary and a later Marxist populist, who denied his earlier poetic self. By focussing on the poet's apprenticeship...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wilson, Jason, 1944-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Woodbridge, Suffolk, UK ; Rochester, NY : Tamesis, 2008.
Colección:Colección Támesis. Monografías ; 259.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 2 |a A companion to Pablo Neruda :  |b evaluating Neruda's poetry /  |c Jason Wilson. 
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246 3 0 |a Evaluating Neruda's poetry 
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490 1 |a Colección Támesis. Serie A, Monografías ;  |v 259 
504 |a Includes bibliographical references (pages 231-248) and index. 
505 0 |a Introduction -- The 1920s : from Crepusculario to Veinte poemas de amor y una canción desesperada -- The 1920s : from El hondero entusiasta to El habitante y su esperanza -- The 1920s and 1930s : Residencia en la tierra 1 -- The 1930s : Residencia en la tierra II and Tercera residencia -- The 1940s : from Alturas de Macchu Picchu to Canto general -- The 1950s : from Los versos del capitán to Cien sonetos de amor -- Post-1960s' poetry : from Plenos poderes to La rosa separada. 
588 0 |a Print version record. 
520 |a Pablo Neruda was without doubt one of the greatest poets of the twentieth century but his work is extremely uneven. There is a view that there are two Nerudas, an early Romantic visionary and a later Marxist populist, who denied his earlier poetic self. By focussing on the poet's apprenticeship, and by looking closely at how Neruda created his poetic persona within his poems, this Companion tries to establish what should survive of his massive output. By seeing his early work as self exploration through metaphor and sound, as well as through varieties of love and direct experience, the Companion outlines a unity behind all the work, based on voice and a public self. Neruda's debt to reading and books is studied in depth and the change in poetics re-examined by concentrating on the early work up to Residencia en la tierra I and II and why he wanted to become a poet. Debate about quality and representativity is grounded in his Romantic thinking, sensibility and sincerity. Unlike a Borges or a Paz who accompanied their creative work with analytical essays, Neruda distilled all his experiences into his poems, which remainhis true biography. Jason Wilson is Professor Emeritus in the Department of Spanish and Latin American Studies, University College London. 
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600 1 0 |a Neruda, Pablo,  |d 1904-1973  |x Criticism and interpretation. 
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