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Black : the history of a color /
Black, favorite color of priests and penitents, artists and ascetics, fashion designers and fascists, has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this book, the author of Blue now tells the fa...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
©2009.
|
| Edición: | English language ed. |
| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 001 | JSTOR_ocn647361662 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
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| 008 | 100712s2009 njua ob 000 0 eng d | ||
| 010 | |z 2008025145 | ||
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| 019 | |a 1319193408 |a 1382693024 |a 1382782229 | ||
| 020 | |a 9780691978864 |q (electronic bk.) | ||
| 020 | |a 0691978867 |q (electronic bk.) | ||
| 020 | |z 9780691139302 |q (hardcover ; |q alk. paper) | ||
| 020 | |z 069113930X |q (hardcover ; |q alk. paper) | ||
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| 072 | 7 | |a ART |x 015000 |2 bisacsh | |
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| 082 | 0 | 4 | |a 155.9/1145 |2 23/eng/20230626 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Pastoureau, Michel, |d 1947- | |
| 240 | 1 | 0 | |a Noir. |l English |
| 245 | 1 | 0 | |a Black : |b the history of a color / |c Michel Pastoureau. |
| 250 | |a English language ed. | ||
| 260 | |a Princeton, N.J. : |b Princeton University Press, |c ©2009. | ||
| 300 | |a 1 online resource (210 pages) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 207-210). | ||
| 505 | 0 | |a In the beginning was black : from the beginning to the year 1000 -- Mythologies of darkness -- From darkness to colors -- From palette to lexicon -- Death and its color -- The black bird -- Black, white, red -- In the devil's palette : tenth to thirteenth centuries -- The devil and his images -- The devil and his colors -- A disturbing bestiary -- To dispel the darkness -- The monk's quarrel: white versus black -- A new color order: the coat of arms -- Who was the black knight? -- A fashionable color : Fourteenth to sixteenth centuries -- The colors of the skin -- The Christianization of dark skin -- Jesus with the dyer -- Dyeing in black -- The color's moral code -- The luxury of princes -- The gray of hope -- The birth of the world in black and white : sixteenth to eighteenth centuries -- Ink and paper -- Color in black and white -- Hachures and guillochures -- The color war -- The Protestant dress code -- A very somber century -- The return of the devil -- New speculations, new classifications -- A new order of colors -- All the colors of black : eighteenth to twenty-first centuries -- The triumph of color -- The age of enlightenment -- The poetics of melancholy -- The age of coal and factories -- Regarding images -- A modern color -- A dangerous color? | |
| 520 | |a Black, favorite color of priests and penitents, artists and ascetics, fashion designers and fascists, has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this book, the author of Blue now tells the fascinating social history of the color black in Europe. In the beginning was black, he tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton's announcement that black was no color after all. During the romantic period, black was melancholy's friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color. For the author, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings, and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful and ambivalent shaper of social, symbolic, and ideological meaning in European societies. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 546 | |a Translated from the French, Noir. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Black. | |
| 650 | 0 | |a Color |x Psychological aspects |x History. | |
| 650 | 0 | |a Color |x Social aspects |x History. | |
| 650 | 0 | |a Symbolism of colors |x History. | |
| 650 | 0 | |a Black in art. | |
| 650 | 0 | |a African Americans. | |
| 650 | 6 | |a Noir. | |
| 650 | 6 | |a Couleur |x Aspect psychologique |x Histoire. | |
| 650 | 6 | |a Couleur |x Aspect social |x Histoire. | |
| 650 | 6 | |a Symbolisme des couleurs |x Histoire. | |
| 650 | 6 | |a Noir dans l'art. | |
| 650 | 6 | |a Noirs américains. | |
| 650 | 7 | |a African American. |2 aat | |
| 650 | 7 | |a black (color) |2 aat | |
| 650 | 7 | |a ART / History / General |2 bisacsh | |
| 650 | 7 | |a Black in art. |2 blmlsh | |
| 650 | 7 | |a Symbolism of colors |x History. |2 blmlsh | |
| 650 | 7 | |a Color |x Social aspects |x History. |2 blmlsh | |
| 650 | 7 | |a Color |x Psychological aspects |x History. |2 blmlsh | |
| 650 | 7 | |a Black. |2 blmlsh | |
| 650 | 7 | |a Black |2 fast | |
| 650 | 7 | |a Black in art |2 fast | |
| 650 | 7 | |a Color |x Psychological aspects |2 fast | |
| 650 | 7 | |a Color |x Social aspects |2 fast | |
| 650 | 7 | |a Symbolism of colors |2 fast | |
| 650 | 7 | |a Schwarz |2 gnd | |
| 650 | 7 | |a Kunst |2 gnd | |
| 650 | 7 | |a Farbensymbolik |2 gnd | |
| 650 | 7 | |a Black in art. |2 nli | |
| 650 | 7 | |a Symbolism of colors |x History. |2 nli | |
| 650 | 7 | |a Color |x Social aspects |x History. |2 nli | |
| 650 | 7 | |a Color |x Psychological aspects |x History. |2 nli | |
| 650 | 7 | |a Black. |2 nli | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Pastoureau, Michel, 1947- |s Noir. English. |t Black. |b English language ed. |d Princeton, N.J. : Princeton University Press, ©2009 |w (DLC) 2008025145 |w (OCoLC)231587317 |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/jj.3985458 |z Texto completo |
| 938 | |a YBP Library Services |b YANK |n 305519352 | ||
| 938 | |a Internet Archive |b INAR |n blackhistoryofco0000past | ||
| 938 | |a Project MUSE |b MUSE |n musev2_112600 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL30592210 | ||
| 938 | |a EBSCOhost |b EBSC |n 3628073 | ||
| 994 | |a 92 |b IZTAP | ||