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Sound design & science fiction /
Annotation
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin, TX :
University of Texas Press,
©2007.
|
| Edición: | 1st ed. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Acknowledgments
- Introduction
- PART I: THE DAWN OF SOUND DESIGN
- Chapter 1. Sound Design: Origins and Influences
- Chapter 2. Music and Speculation in 2001: A Space Odyssey
- PART II: SOUND MONTAGE
- Chapter 3. The Convergence of Hollywood and New Wave Science Fiction
- Chapter 4. Suggestive Fragments in THX 1138
- PART III: SOUND DESIGNING
- Chapter 5. From Sound Capture to Construction: Building the Lexicon of Sound Designs for Star Wars
- Chapter 6. Surround Sound and Science Fiction
- PART IV: SOUND EFFECTS
- Chapter 7. Genre Splicing: Horror and Science Fiction
- Chapter 8. Alien: Audio-biomechanics
- PART V: VOICE DESIGN
- Chapter 9. Blade Runners: A Crisis in Voicing Authority, Identity, and Spectacle
- PART VI: FINAL DESIGN
- Chapter 10. Sound Mixing and Sound Design in Science Fiction Cinema: A Mixed Paradox
- Chapter 11. Mixing Man and Machine in Terminator 2: Judgment Day
- PART VII: CONCLUSION: A SOUNDING OF THE FUTURE
- Chapter 12. What Is The Matrix? Sound Design in a Digital World
- Appendix: Overview of the General Processes of Sound Production
- Notes
- Glossary
- Bibliography
- Filmography
- Index.