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Stage-wrights : Shakespeare, Jonson, Middleton, and the making of theatrical value /
To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common play-houses and in a manner of the antithetical to what Jonson himself viewed as the higher...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Philadelphia :
University of Pennsylvania Press,
©1997.
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| Colección: | New cultural studies.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Yachnin, Paul Edward, |d 1953- | |
| 245 | 1 | 0 | |a Stage-wrights : |b Shakespeare, Jonson, Middleton, and the making of theatrical value / |c Paul Yachnin. |
| 246 | 3 | |a Stagewrights | |
| 260 | |a Philadelphia : |b University of Pennsylvania Press, |c ©1997. | ||
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| 490 | 1 | |a New cultural studies | |
| 504 | |a Includes bibliographical references (pages 171-204) and index. | ||
| 520 | |a To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common play-houses and in a manner of the antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. In Stage-Wrights Yachnin shows how Shakespeare, Jonson, and Middleton struggled to reclaim not only the importance of their art, but their own social legitimacy as well through the reshaping of the commercial theater. His bold readings of their works unveil the strategies by which they sought power from their privileged but powerless position on the margins. Adopting a hermeneutical approach, he explores a wide range of historical evidence to describe how English Renaissance drama depicted the world in ways refracted by the interests of the playing companies; throughout, he challenges recent historicist models that have overrated the importance of dramatic productions to society and its institutions of authority | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Contents; Textual Note and Abbreviations; Preface; 1. The Powerless Theater; 2. Desdemona's Voice: Historical Interpretation and the Operations of Minds; 3. The Knowledge Marketplace; 4. Instituting Mirth in Renaissance Comedy; 5. Reflections of Theater in the ""Tragic Glass"" from Marlowe to Middleton; 6. ""Gargantua's Mouth"": Orality, Voice, and the Gender of Theatrical Power; Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; W. | |
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| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Technique. |
| 600 | 1 | 0 | |a Middleton, Thomas, |d -1627 |x Technique. |
| 600 | 1 | 0 | |a Jonson, Ben, |d 1573?-1637 |x Technique. |
| 600 | 1 | 1 | |a Jonson, Ben, |d 1573?-1637 |x Technique. |
| 600 | 1 | 1 | |a Middleton, Thomas, |d -1627 |x Technique. |
| 600 | 1 | 1 | |a Shakespeare, William, |d 1564-1616 |x Technique. |
| 600 | 1 | 6 | |a Shakespeare, William, |d 1564-1616 |x Technique. |
| 600 | 1 | 6 | |a Middleton, Thomas, |d m. 1627. |
| 600 | 1 | 6 | |a Jonson, Ben, |d 1573-1637 |x Technique. |
| 600 | 1 | 7 | |a Jonson, Ben, |d 1573?-1637 |2 fast |
| 600 | 1 | 7 | |a Middleton, Thomas, |d -1627 |2 fast |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |
| 600 | 1 | 7 | |a Middleton, Thomas. |2 swd |
| 600 | 1 | 7 | |a Shakespeare, William. |2 swd |
| 600 | 1 | 7 | |a Jonson, Ben. |2 swd |
| 650 | 0 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism. | |
| 650 | 0 | |a Theater and society |z England |x History |y 16th century. | |
| 650 | 0 | |a Theater and society |z England |x History |y 17th century. | |
| 650 | 0 | |a English drama |y 17th century |x History and criticism. | |
| 650 | 0 | |a Authorship |x History |y 16th century. | |
| 650 | 0 | |a Authorship |x History |y 17th century. | |
| 650 | 0 | |a Canon (Literature) | |
| 650 | 6 | |a Théâtre anglais |y 16e siècle |x Histoire et critique. | |
| 650 | 6 | |a Théâtre et société |z Angleterre |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Théâtre et société |z Angleterre |x Histoire |y 17e siècle. | |
| 650 | 6 | |a Théâtre anglais |y 17e siècle |x Histoire et critique. | |
| 650 | 6 | |a Art d'écrire |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Art d'écrire |x Histoire |y 17e siècle. | |
| 650 | 6 | |a Chefs-d'œuvre (Littérature) | |
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| 650 | 7 | |a Technique |2 fast | |
| 650 | 7 | |a Theater and society |2 fast | |
| 651 | 7 | |a England |2 fast | |
| 651 | 7 | |a England |2 gnd | |
| 650 | 7 | |a Drama |2 gnd | |
| 650 | 7 | |a Theater |2 gnd | |
| 651 | 7 | |a Englisch. |2 swd | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Yachnin, Paul Edward, 1953- |t Stage-wrights. |d Philadelphia : University of Pennsylvania Press, ©1997 |w (DLC) 96054900 |w (OCoLC)36180939 |
| 830 | 0 | |a New cultural studies. | |
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