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The similitude of blossoms : a critical biography of Izumi Kyōka (1873-1939), Japanese novelist and playwright /

Izumi Kyoka (1873-1939) wrote some 300 stories, plays, essays and travelogues. Along the way, his voice as a writer would undergo a number of significant modulations, allowing him to develop the idiosyncratic yet powerfully affecting worldview for which he is famous. In this, the first book-length s...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Inouye, Charles Shirō (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, Mass. : Harvard University Asia Center : Distributed by Harvard University Press, 1998.
Colección:Harvard East Asian monographs ; 172.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The similitude of blossoms :  |b a critical biography of Izumi Kyōka (1873-1939), Japanese novelist and playwright /  |c Charles Shirō Inouye. 
260 |a Cambridge, Mass. :  |b Harvard University Asia Center :  |b Distributed by Harvard University Press,  |c 1998. 
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504 |a Includes bibliographical references (pages 375-387) and index. 
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588 0 |a Print version record. 
505 0 |a Preliminary Material -- Introduction -- Contexts 1873-1883 -- The Desire to Write 1883-1889 -- Master and Apprentice 1890-1832 -- Crisis 1893-1894 -- First Successes 1895-1896 -- Pursuing a Vision 1896 -- Embraces 1897-1899 -- The Archetype 1900 -- Language, Love, Death -- Flight to Zushi 1904-1906 -- The End of Desire 1907-1908 -- Perfecting Art 1909-1910 -- A Space for the Dispossessed 1910-1923 -- Among Friends 1915-1927 -- Crisis and Salvation 1928-1939 -- Epilogue -- Major Titles and Dates of Publication -- Titles of journals and Newspapers -- Notes -- Selected Bibliography -- Index -- Harvard East Asian Monographs. 
520 |a Izumi Kyoka (1873-1939) wrote some 300 stories, plays, essays and travelogues. Along the way, his voice as a writer would undergo a number of significant modulations, allowing him to develop the idiosyncratic yet powerfully affecting worldview for which he is famous. In this, the first book-length study in English of this prolific writer, Charles Shiro Inouye argues that Kyoka's writings were largely a refinement of a vision that came into focus around 1900. The resulting narrative archetype formed the aesthetic and ethical bases of his work. Kyoka does not fit neatly into the conventional story of Japanese literary modernization and has been relegated to a place outside the mainstream. Unlike most of his contemporaries, he did not distance himself from the Japanese literary tradition in favor of adaptations of imports from the West. The highly visual mode of figuration that was Kyoka's compromise with the demands of literary realism allows us to see the continuation of early-modern (kinsei) Edo culture in late-modern (kindai) Japan and to expand our understanding of literary and artistic reform in the early twentieth century. 
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