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Closet stages : Joanna Baillie and the theater theory of British romantic women writers /
Closet Stages examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the the...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Philadelphia :
University of Pennsylvania Press,
©1997.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Burroughs, Catherine B., |d 1958- | |
| 245 | 1 | 0 | |a Closet stages : |b Joanna Baillie and the theater theory of British romantic women writers / |c Catherine B. Burroughs. |
| 260 | |a Philadelphia : |b University of Pennsylvania Press, |c ©1997. | ||
| 300 | |a 1 online resource (xii, 238 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references (pages 211-230) and index. | ||
| 505 | 0 | |a 1. "The Value of Our Criticism": Constructing Women's Theater Theory -- 2. Representing the Female Actor: Celebrity Narratives, Women's Theories of Acting, and Social Theaters -- 3. Joanna Baillie's Theater of the Closet: Female Romantic Playwrights and Preface Writing -- 4. Conflicted Performance Styles in Baillie's First Volume of Plays on the Passions (1798) -- 5. Private Theatricals and Baillie's The Tryal -- App. Selected List of Texts Containing Women's Theater Theory Published in Great Britain (1790-1850). | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Closet Stages examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between "closet" and "stage." | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Baillie, Joanna, |d 1762-1851 |x Knowledge |x Performing arts. |
| 600 | 1 | 1 | |a Baillie, Joanna, |d 1762-1851 |x Knowledge |x Performing arts. |
| 600 | 1 | 7 | |a Baillie, Joanna, |d 1762-1851 |2 fast |
| 600 | 1 | 7 | |a Baillie, Joanna. |2 swd |
| 650 | 0 | |a English drama |x Women authors |x History and criticism |x Theory, etc. | |
| 650 | 0 | |a English drama |y 19th century |x History and criticism |x Theory, etc. | |
| 650 | 0 | |a Women in the theater |z Great Britain |x History |y 19th century. | |
| 650 | 0 | |a Women and literature |z Great Britain |x History |y 19th century. | |
| 650 | 0 | |a Romanticism |z Great Britain. | |
| 650 | 6 | |a Théâtre anglais |y 19e siècle |x Histoire et critique |x Théorie, etc. | |
| 650 | 6 | |a Femmes au théâtre |z Grande-Bretagne |x Histoire |y 19e siècle. | |
| 650 | 6 | |a Femmes et littérature |z Grande-Bretagne |x Histoire |y 19e siècle. | |
| 650 | 6 | |a Romantisme |z Grande-Bretagne. | |
| 650 | 7 | |a LITERARY CRITICISM |x Women Authors. |2 bisacsh | |
| 650 | 7 | |a Performing arts |2 fast | |
| 650 | 7 | |a Romanticism |2 fast | |
| 650 | 7 | |a Women and literature |2 fast | |
| 650 | 7 | |a Women in the theater |2 fast | |
| 651 | 7 | |a Great Britain |2 fast | |
| 650 | 7 | |a Theatertheorie |2 gnd | |
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| 650 | 7 | |a Romantik |2 gnd | |
| 651 | 7 | |a Großbritannien |2 gnd | |
| 650 | 7 | |a Drama |2 gnd | |
| 650 | 0 | 7 | |a Geschichte 1790-1840. |2 swd |
| 648 | 7 | |a 1800-1899 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Burroughs, Catherine B., 1958- |t Closet stages. |d Philadelphia : University of Pennsylvania Press, ©1997 |w (DLC) 97003949 |w (OCoLC)36201071 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt16nzfzq |z Texto completo |
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