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|a Conte, Joseph M.
|q (Joseph Mark),
|d 1960-
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|a Unending design :
|b the forms of postmodern poetry /
|c Joseph M. Conte.
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|a Ithaca :
|b Cornell University Press,
|c 1991.
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|a 1 online resource (xii, 314 pages) :
|b illustrations
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|a text
|b txt
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|a Includes bibliographical references (pages 283-308) and index.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
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|a digitized
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|a Print version record.
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|a Unending Design; Contents; Acknowledgments; l. Introduction; Defining a Postmodern Poetics; Seriality and Proceduralism: A Typology of Postmodern Poetry; SERIAL FORM; 2. The Infinite Serial Form; The Unbound and the Uneven: Robert Duncan's Passages; Against the Calendar: Paul Blackburn's Journals; One Thing Finding Its Place with Another: Robert Creeley's Pieces; 3. The Finite Serial Form; The Dark House: Jack Spicer's Book of Language; The Subway's Iron Circuit: George Oppen's Discrete Series; Sounding and Resounding Anew: Louis Zukofsky and Lorine Niedecker; PROCEDURAL FORM
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|a 4. A Predetermined FormRenovated Form: The Sestinas of John Ashbery and Louis Zukofsky; Canonic Form in Weldon Kees, Robert Creeley, and Louis Zukofsky; 5. A Generative Device; Constant and Variant: Semantic Recurrence in Harry Mathews, William Bronk, and Robert Creeley; Arbitrary Constraints and Aleatory Operations: Harry Mathews and John Cage; 6. A Polemical Conclusion: The Language Poetries and the New Formalism; Notes; Index
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|a Drawing on the work of contemporary American poets from Ashbery to Zukofsky, Joseph M. Conte elaborates an innovative typology of postmodern poetic forms. In Conte's view, looking at recent poetry in terms of the complementary methods of seriality and proceduralism offers a rewarding alternative to the familiar analytic dichotomy of "open" and "closed" forms.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
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|a American poetry
|y 20th century
|x History and criticism.
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|a Postmodernism (Literature)
|z United States.
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|a Poésie américaine
|y 20e siècle
|x Histoire et critique.
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|a Postmodernisme (Littérature)
|z États-Unis.
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|a LITERARY CRITICISM
|x Semiotics & Theory.
|2 bisacsh
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|a American poetry.
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|0 (OCoLC)fst00807348
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|a Postmodernism (Literature)
|2 fast
|0 (OCoLC)fst01073181
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|a United States.
|2 fast
|0 (OCoLC)fst01204155
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|a Lyrik
|2 gnd
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|a Postmoderne
|2 gnd
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|a Form.
|2 swd
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|a USA.
|2 swd
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|a 1900-1999
|2 fast
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|a Geschichte 1945-1990.
|2 swd
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|a Conte, Joseph M. (Joseph Mark), 1960-
|t Unending design.
|d Ithaca : Cornell University Press, 1991
|w (DLC) 90055732
|w (OCoLC)22511175
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|u https://jstor.uam.elogim.com/stable/10.7591/j.ctt18kr5kd
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