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Segregating sound : inventing folk and pop music in the age of Jim Crow /
Asks how the racialized genre divisions in American commerical music came into being, and how they became so entrenched, challenging the assumption of strict musical segregation in the late-19th-century rural South.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham [NC] :
Duke University Press,
2010.
|
| Colección: | Refiguring American music.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Miller, Karl Hagstrom, |d 1968- | |
| 245 | 1 | 0 | |a Segregating sound : |b inventing folk and pop music in the age of Jim Crow / |c Karl Hagstrom Miller. |
| 264 | 1 | |a Durham [NC] : |b Duke University Press, |c 2010. | |
| 264 | 4 | |c ©2010 | |
| 300 | |a 1 online resource (ix, 372 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Refiguring American music | |
| 520 | |a Asks how the racialized genre divisions in American commerical music came into being, and how they became so entrenched, challenging the assumption of strict musical segregation in the late-19th-century rural South. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Tin Pan Alley on tour : the Southern embrace of commercial music -- Making money making music : the education of Southern musicians in local markets -- Isolating folk, isolating songs : reimagining Southern music as folklore -- Southern musicians and the lure of New York City : representing the South from coon songs -- To the blues -- Talking machine world : discovering local music in the global phonograph industry -- Race records and old-time music : the creation of two marketing categories in the 1920s -- Black folk and hillbilly pop : industry enforcement of the musical color line -- Reimagining pop tunes as folk songs: the ascension of the folkloric paradigm -- Afterword: "All songs is folk songs." | |
| 588 | |a Description based on print version record | ||
| 546 | |a English. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2022. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2022. |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 630 | 0 | 7 | |a Jump Jim Crow |2 gnd |
| 650 | 0 | |a Music and race |z Southern States |x History |y 19th century. | |
| 650 | 0 | |a Music and race |z Southern States |x History |y 20th century. | |
| 650 | 0 | |a Folk music |z Southern States |x History |y 19th century. | |
| 650 | 0 | |a Folk music |z Southern States |x History |y 20th century. | |
| 650 | 0 | |a Popular music |z Southern States |y 19th century. | |
| 650 | 0 | |a Popular music |z Southern States |y 20th century. | |
| 650 | 0 | |a African Americans |x Segregation. | |
| 650 | 6 | |a Musique et race |z États-Unis (Sud) |x Histoire |y 19e siècle. | |
| 650 | 6 | |a Musique et race |z États-Unis (Sud) |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Musique populaire |z États-Unis (Sud) |y 19e siècle. | |
| 650 | 6 | |a Musique populaire |z États-Unis (Sud) |y 20e siècle. | |
| 650 | 6 | |a Noirs américains |x Ségrégation. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Pop Vocal. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Blues. |2 bisacsh | |
| 650 | 7 | |a African Americans |x Segregation |2 fast | |
| 650 | 7 | |a Folk music |2 fast | |
| 650 | 7 | |a Music and race |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 651 | 7 | |a Southern States |2 fast | |
| 650 | 7 | |a Musik |2 gnd | |
| 651 | 7 | |a USA |x Südstaaten |2 gnd | |
| 651 | 7 | |a Schwärze |2 gnd | |
| 650 | 1 | 7 | |a Folkmuziek. |2 gtt |
| 650 | 1 | 7 | |a Segregatie. |2 gtt |
| 650 | 1 | 7 | |a Zwarten. |2 gtt |
| 650 | 1 | 7 | |a Populaire muziek. |2 gtt |
| 651 | 7 | |a Zuidelijke staten. |2 gtt | |
| 648 | 7 | |a 1800-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Miller, Karl Hagstrom, 1968- |t Segregating sound. |d Durham, N.C. : Duke University Press, 2010 |z 9780822346890 |z 0822346893 |w (DLC) 2009039108 |w (OCoLC)454364254 |
| 830 | 0 | |a Refiguring American music. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv125jq7b |z Texto completo |
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