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The autonomous image : cinematic narration and humanism /

Blowup, says Armando Prats, is one of the necessary movies. It is a ""living expression of the transition into the new narrative domains"" in terms of man's ""new vision of himself as a narrative creature in a world whose very essense is cinematic narration."&...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Prats, A. J., 1948-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington, Ky. : University Press of Kentucky, ©1981.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Prats, A. J.,  |d 1948- 
245 1 4 |a The autonomous image :  |b cinematic narration and humanism /  |c A.J. Prats. 
260 |a Lexington, Ky. :  |b University Press of Kentucky,  |c ©1981. 
300 |a 1 online resource (xiii, 178 pages) 
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588 0 |a Print version record. 
504 |a Includes bibliographical references and index. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
538 |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.  |u http://purl.oclc.org/DLF/benchrepro0212  |5 MiAaHDL 
583 1 |a digitized  |c 2010  |h HathiTrust Digital Library  |l committed to preserve  |2 pda  |5 MiAaHDL 
505 0 |a Cover; Title; Copyright; Contents; Preface; 1. The New Narration of Values: Fellini: A Director's Notebook; 2. The Narrative Dilemma: Seven Beauties; 3. To the Threshold of the New Narrative: Blowup; 4. Plasticity and Narrative Methods: The Clowns; Epilog; Appendix; Notes; Index; A; B; C; D; E; F; H; I; J; L; M; N; O; P; S; T; V; W 
520 |a Blowup, says Armando Prats, is one of the necessary movies. It is a ""living expression of the transition into the new narrative domains"" in terms of man's ""new vision of himself as a narrative creature in a world whose very essense is cinematic narration."" Prats' work on the new humanism inherent in postwar filmmaking is a rewarding work with implications for the fields of esthetics and axiology as well as film criticism. In his analyses of four films by three directors -- Fellini's Director's Notebook and The Clowns, Wertmiller's Seven Beauties, Antonioni's Blowup -- Prats shows the 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
630 0 0 |a Blowup. 
630 0 0 |a Clowns (Television program : 1970) 
630 0 0 |a Director's notebook. 
630 0 0 |a Pasqualino settebellezze. 
630 0 6 |a Blowup (Film cinématographique) 
630 0 6 |a Clowns (Film cinématographique) 
630 0 6 |a Director's notebook (Film cinématographique) 
630 0 6 |a Seven beauties (Film cinématographique) 
630 0 7 |a Blowup  |2 fast 
630 0 7 |a Clowns (Television program : 1970)  |2 fast 
630 0 7 |a Director's notebook  |2 fast 
630 0 7 |a Pasqualino settebellezze  |2 fast 
650 0 |a Motion picture plays  |x History and criticism. 
650 6 |a Scénarios de cinéma  |x Histoire et critique. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a Motion picture plays  |2 fast 
650 1 7 |a Filmkunst.  |2 gtt 
655 7 |a Criticism, interpretation, etc.  |2 fast 
740 0 |a Cinematic narration and humanism. 
776 0 8 |i Print version:  |a Prats, A.J., 1948-  |t Autonomous image.  |d Lexington, Ky. : University Press of Kentucky, ©1981  |w (DLC) 81050182  |w (OCoLC)7912316 
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