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|a OCLCE
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|a 9781469642734
|q (electronic bk.)
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|a 1469642735
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|z 0807892424
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|z 9780807892428
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|a (OCoLC)644262822
|z (OCoLC)300676941
|z (OCoLC)1009041168
|z (OCoLC)1030027980
|z (OCoLC)1050162686
|z (OCoLC)1080550700
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|z (OCoLC)1300766451
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|a 22573/ctt2205pjj
|b JSTOR
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|a dlr
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|a PQ9697.R66
|b V434 1991
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|a PC13
|b .N67 no.238
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|a LIT
|x 004280
|2 bisacsh
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|a 869.2
|2 20
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|a UAMI
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|a Clark, Fred M.
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|a Impermanent structures :
|b semiotic readings of Nelson Rodrigues' Vestido de noiva, Album de família, and Anjo negro /
|c by Fred M. Clark.
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|a Chapel Hill :
|b U.N.C. Dept. of Romance Languages :
|b [Distributed by University of North Carolina Press],
|c 1991.
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|a 1 online resource (129 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a data file
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|a North Carolina studies in the Romance languages and literatures ;
|v no. 238
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|a Includes bibliographical references (pages 124-129).
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a Print version record.
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|a Fred M. Clark offers a semiotic analysis of three plays by Nelson Rodrigues, based in Charles S. Pierce's triadic concept of the sign: as sign, interpretant, and object, in regards to its production as perception and consciousness. Clark's use of this triad approach demonstrates the self-conscious plays of icons in Vestido de noiva, Album de familia, and Anjo negro, and offers a basis for the relevance of his conclusions to theatre at large. Based on this semiotic theory, Clark demonstrates the particular modes in which Nelson's theatre builds up fictional situations that transcend the pretense of the vanguard to become radically innovative and achieve a first-rate literary realization, equal of any occidental writer of the period. The author demonstrates the way in which Rodrigues dissects the difference between seeming and being, questioning the very notion of permanence and order.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Rodrigues, Nelson.
|t Vestido de noiva.
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|a Rodrigues, Nelson.
|t Album de família.
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|a Rodrigues, Nelson.
|t Anjo negro.
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|a Rodrigues, Nelson.
|t Anjo negro.
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|a Rodrigues, Nelson.
|t Album de família.
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|a Rodrigues, Nelson.
|t Vestido de noiva.
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|a Vestido de noiva (Rodrigues, Nelson)
|2 fast
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|a Rodrigues, Nelson.
|t Vestido de noiva.
|2 swd
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1 |
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|a Rodrigues, Nelson.
|t Anjo negro.
|2 swd
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|a Rodrigues, Nelson.
|t Álbum de família.
|2 swd
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|a Theater
|x Semiotics.
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|a Sémiotique et théâtre.
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|a LITERARY CRITICISM
|x European
|x Spanish & Portuguese.
|2 bisacsh
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|a Theater
|x Semiotics
|2 fast
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|a Semiotik
|2 gnd
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|a Rodrigues, Nelson
|a Album de família
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|a Rodrigues, Nelson
|a Anjo negro
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|a Rodrigues, Nelson
|a Vestido de noiva
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|a Theater
|a Semiotics
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776 |
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|i Print version:
|a Clark, Fred M.
|t Impermanent structures.
|d Chapel Hill : U.N.C. Dept. of Romance Languages : [Distributed by University of North Carolina Press], 1991
|w (DLC) 91019885
|w (OCoLC)23941906
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|a North Carolina studies in the Romance languages and literatures ;
|v no. 238.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.5149/9781469642734_clark
|z Texto completo
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|b EBLB
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|b EBSC
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