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Dancing in spite of myself : essays on popular culture /
In "Dancing in Spite of Myself", Lawrence Grossber well known as a pioneering figure in cultural studies has collected essays written over the past twenty years that have also established him as one of the leading theorists of popular culture and, specifically, of rock music. Grossberg off...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham, NC :
Duke University Press,
1997.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Grossberg, Lawrence, |e author. | |
| 245 | 1 | 0 | |a Dancing in spite of myself : |b essays on popular culture / |c Lawrence Grossberg. |
| 260 | |a Durham, NC : |b Duke University Press, |c 1997. | ||
| 300 | |a 1 online resource (xi, 304 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 293-299) and index. | ||
| 505 | 0 | 0 | |g 1. |t Dancing ... (popular music): |t Another boring day in paradise: rock and roll and the empowerment of everyday life (1984) -- |t "I'd rather feel bad then not feel anything at all": rock and roll, pleasure and power (1984) -- |t Rock, territorialization, and power (1991) -- |t Is anybody listening? Does anybody care?: on "the state of rock" (1994) -- |g 2. |t In spite of ... (postmodernity): |t The indifference of television, or, mapping tv's popular (affective) economy (1987) -- |t Postmodernity and affect: all dressed up with no place to go (1988) -- |t Postmodernist elitisms and postmodern struggles (1990) -- |g 3. |t Myself ... (politics): |t "Its a sin": politics, postmodernity, and the popular (1988) -- |t Introduction -- |t The scandal of cultural studies -- |t The specificity of American hegemony -- |t Patrolling frontiers: the articulation of the popular -- |t Postscript: fans, fanatics, and ideologues -- |t Rockin' in conservative times -- |t Conclusion: from media to popular culture to everyday life (1991). |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 520 | 8 | |a In "Dancing in Spite of Myself", Lawrence Grossber well known as a pioneering figure in cultural studies has collected essays written over the past twenty years that have also established him as one of the leading theorists of popular culture and, specifically, of rock music. Grossberg offers an original and sophisticated view of the growing power of popular culture and its increasing inseparability from contemporary structures of economic and political power and from our everyday lives. In the course of conducting this exploration into the meaning of 'popularity, ' he investigates the nature of fandom, the social effects of rock music and youth culture, and the possibilities for understanding the history of popular texts and practices. Describing what he calls 'the postmodernity of everyday life', Grossberg offers important insights into the relation of pop music to issues of postmodernity and into the growing power of the new cultural conservatism and its relationship to 'the popular'. Exploring the limits of existing theories of hegemony in cultural studies, Grossberg reveals the ways in which popular culture is being mobilised in the service of economic and political struggles. In articulating his own critical practice, Grossberg surveys and challenges some of the major assumptions of popular culture studies, including notions of domination and resistance, mainstream and marginality, and authenticity and incorporation. "Dancing in Spite of Myself" provides both an introduction to contemporary theories of popular culture and a clear statement of relationships among theories of the nature of rock music, postmodernity, and conservative hegemony. Elegantly written, these essays will appeal to a wide range of readers interested in rock and popular music, politics and popular culture, postmodern theory and cultural studies. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Popular culture |z United States |x History |y 20th century. | |
| 650 | 0 | |a Rock music |z United States |x History and criticism. | |
| 651 | 0 | |a United States |x Social life and customs. | |
| 650 | 0 | |a Rock music |z United States |x History |y 20th century. | |
| 650 | 6 | |a Culture populaire |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Rock (Musique) |z États-Unis |x Histoire et critique. | |
| 651 | 6 | |a États-Unis |x Mœurs et coutumes. | |
| 650 | 6 | |a Rock (Musique) |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 7 | |a POLITICAL SCIENCE |x Public Policy |x Cultural Policy. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x Cultural. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Popular Culture. |2 bisacsh | |
| 650 | 7 | |a Manners and customs. |2 fast |0 (OCoLC)fst01007815 | |
| 650 | 7 | |a Popular culture. |2 fast |0 (OCoLC)fst01071344 | |
| 650 | 7 | |a Rock music. |2 fast |0 (OCoLC)fst01099204 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 650 | 7 | |a Massenkultur |2 gnd | |
| 650 | 7 | |a Aufsatzsammlung |2 gnd | |
| 650 | 1 | 7 | |a Rock-'n-roll. |2 gtt |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Grossberg, Lawrence. |t Dancing in spite of myself. |d Durham, NC : Duke University Press, 1997 |z 0822319128 |w (DLC) 96049940 |w (OCoLC)36074436 |
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