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Whose lives are they anyway? : the biopic as contemporary film genre /
Through detailed analyses and critiques of nearly twenty biopics, Whose Lives Are They Anyway? proves a critical point: The biopic is a genuine, dynamic genre and an important oneùit narrates, exhibits, and celebrates a subject's life and demonstrates, investigates, or questions his or her imp...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick, N.J. :
Rutgers University Press,
©2010.
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| Colección: | ACLS Humanities E-Book.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bingham, Dennis, |d 1954- | |
| 245 | 1 | 0 | |a Whose lives are they anyway? : |b the biopic as contemporary film genre / |c Dennis Bingham. |
| 260 | |a New Brunswick, N.J. : |b Rutgers University Press, |c ©2010. | ||
| 300 | |a 1 online resource (xi, 432 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references (pages 405-420) and index. | ||
| 505 | 0 | |a Introduction: a respectable genre of very low repute -- Book one: the great (White) man biopic and its discontents. Strachey's way, or all's well that ends Welles -- Rembrandt (1936) -- Citizen Kane and the biopic -- Lawrence of Arabia: "but does he really deserve a place in here?" -- Nixon, Oliver Stone, and the unmaking of the self-made man -- P.S.: W. -- Thirty two short films about Glenn Gould: ghost picture -- Ed Wood: the biopic of someone undeserving -- Spike Lee's Malcolm X: appropriation or assimilation? -- Raoul Peck's Lumumba: drama, documentary, and the postcolonial appropriation -- Book two: a woman's life is never done: female biopics. Prologue -- Superstar: The Karen Carpenter story: toying with the genre -- I want to live!: criminal woman, male discourses -- Barbra and Julie at the dawning of the Age of Aquarius -- Funny girl -- Star! -- Hacked: Gorillas in the mist and other female biopics in the 1980s -- An angel at my table: re-framing the female biography -- Erin Brockovich: Hollywood feminist revisionism, after a fashion -- Twenty-first-century women -- The notorious Bettie Page: free will, and God's will -- Marie Antoinette: the female biopic gets the guillotine -- I'm not there: some conclusions on a book concerning biopics. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Through detailed analyses and critiques of nearly twenty biopics, Whose Lives Are They Anyway? proves a critical point: The biopic is a genuine, dynamic genre and an important oneùit narrates, exhibits, and celebrates a subject's life and demonstrates, investigates, or questions his or her importance in the world; it illuminates the finer points of a personality; and, ultimately, it provides a medium for both artist and spectator to discover what it would be like to be that person, or a certain type of person. | ||
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| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Biographical films |x History and criticism. | |
| 650 | 6 | |a Films biographiques |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x Cultural. |2 bisacsh | |
| 650 | 7 | |a Biographical films |2 fast | |
| 650 | 7 | |a Film. |2 hilcc | |
| 650 | 7 | |a Music, Dance, Drama & Film. |2 hilcc | |
| 655 | 4 | |a Electronic book. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Bingham, Dennis, 1954- |t Whose lives are they anyway? |d New Brunswick, N.J. : Rutgers University Press, ©2010 |z 9780813546575 |w (DLC) 2009016183 |w (OCoLC)318970570 |
| 830 | 0 | |a ACLS Humanities E-Book. | |
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