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|a Cunningham, Frank R.,
|d 1937-
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|a Sidney Lumet :
|b film and literary vision /
|c Frank R. Cunningham.
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|a 2nd ed.
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|a Lexington, Ky. :
|b University Press of Kentucky,
|c ©2001.
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|a 1 online resource (xviii, 316 pages) :
|b illustrations
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|a text
|b txt
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|a online resource
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|a Includes bibliographical references (pages 303-305) and index.
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- The Films of Sidney Lumet -- Preface -- Acknowledgments -- Introduction -- 1. A Cinema of Conscience -- Q & A: Heart of Darkness -- Power: Packaging the System -- 2. The Loner and the Struggle for Moral Capability -- Equus: Martin Dysart and the Death of the Gods -- The Deadly Affair: Varieties of Betrayal -- The Fugitive Kind: Orpheus Ascending -- A View from the Bridge: The Consequences of Denial -- Daniel: The Understanding of the Past
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|a 3. Woman and the Progress of Self-UnderstandingThe Group: Kay's Fall and the Death of Dreams -- That Kind of Woman: Levels of Insecurity -- Lovin'Molly: Psychological Aspects of the Archetypal Female -- 4. Lumet at Zenith: In the American Film Pantheon -- 12 Angry Men: Toward an Imaginative Use of Reason -- Long Day's Journey into Night: The Flight from Self-Knowledge -- Fail Safe: The Final Game -- The Pawnbroker: The Insistence of Memor -- 5. Comic Misconnections and the Universality of Loss -- The Sea Gull: The Comedy of Compassion
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|a Bye, Bye Braverman: Death and Sympathy6. Major Films from Nonliterary Sources -- The Hill: Ambiguities of Order -- The Offence: The Repression of Disorder -- Serpico: Who Can Trust a Cop Who Don't Take Money? -- Dog Day Afternoon: The Contemporary Urban Absurd -- Network: Crime at the Top -- Prince of the City: Film as Literature -- 7. A Major American Director -- Afterword -- The Appointment: Film Form and the Objectification of Woman -- Running on Empty: Politics and Family -- Murder on the Orient Express: Nostalgia and Enchantment
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|a Just Tell Me What You Want Satire and RomanceThe Verdict: Long Road That Has No Turning -- A Stranger Among Us: Feminism and Spirituality -- Guilty as Sin: Prince of Darkness -- Night Falls on Manhattan: The Coming of Wisdom -- Critical Care: Learning to Love the Dying -- Gloria: If You Love Me -- Notes -- Bibliography -- Index
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Lumet, Sidney,
|d 1924-2011
|x Criticism and interpretation.
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1 |
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|a Lumet, Sidney,
|d 1924-
|x Critique et interprétation.
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1 |
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|a Lumet, Sidney,
|d 1924-2011.
|2 fast
|0 (OCoLC)fst01759918
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1 |
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|a Lumet, Sidney.
|2 swd
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|a BIOGRAPHY & AUTOBIOGRAPHY
|x Entertainment & Performing Arts.
|2 bisacsh
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
776 |
0 |
8 |
|i Print version:
|a Cunningham, Frank R., 1937-
|t Sidney Lumet.
|b 2nd ed.
|d Lexington, Ky. : University Press of Kentucky, ©2001
|w (DLC) 2001278655
|w (OCoLC)47855660
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt130j5wf
|z Texto completo
|
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|a EBL - Ebook Library
|b EBLB
|n EBL3039916
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|a ebrary
|b EBRY
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|
938 |
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|a EBSCOhost
|b EBSC
|n 1238888
|
938 |
|
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis30544632
|
938 |
|
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|a Internet Archive
|b INAR
|n sidneylumetfilml00cunn
|
938 |
|
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|a Project MUSE
|b MUSE
|n muse44706
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994 |
|
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|a 92
|b IZTAP
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