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Denys Arcand's Le déclin de l'empire américain and Les invasions barbares /
The release of Denys Arcand's Le Déclin de l'empire américain (The Decline of the American Empire) in 1986 marked a major turning point in Quebec cinema. It was the first Québécois film that enjoyed huge critical and commercial success at home and abroad. Arcand's tragicomedy abou...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto [Ont.] :
University of Toronto Press,
©2008
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| Colección: | Canadian cinema ;
2. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Loiselle, André, |d 1963- | |
| 245 | 1 | 0 | |a Denys Arcand's Le déclin de l'empire américain and Les invasions barbares / |c André Loiselle. |
| 246 | 3 | |a Déclin de l'empire américain | |
| 246 | 3 | |a Invasions barbares | |
| 260 | |a Toronto [Ont.] : |b University of Toronto Press, |c ©2008 |e (Saint-Lazare, Quebec : |f Gibson Library Connections, |g 2010) | ||
| 300 | |a 1 online resource (190 pages : |b illustrations). | ||
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| 490 | 1 | |a Canadian cinema ; |v 2 | |
| 504 | |a Includes bibliographical references (pages 187-190). | ||
| 505 | 0 | |a Le déclin de l'empire américain -- The production and reception of scabrous conversations -- The decline of patriarchy and the death of the feminine -- The death of Quebec history -- Friends in the landscape, or, Was Louise right all along? -- Les invasions barbares -- From an obsession with death to an Oscar -- "Death of a bon vivant" : a tragicomedy in three acts -- Sex, death, and the cinema -- Sex, death, and boredom. | |
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| 520 | |a The release of Denys Arcand's Le Déclin de l'empire américain (The Decline of the American Empire) in 1986 marked a major turning point in Quebec cinema. It was the first Québécois film that enjoyed huge critical and commercial success at home and abroad. Arcand's tragicomedy about eight intellectuals gathered around a dinner table relating sexy anecdotes became the top-grossing film of all time in Quebec and was the first Canadian feature to be nominated for an Oscar in the foreign-language category. Seventeen years later, Arcand won an Academy Award for the sequel, Les Invasions barbares (The Barbarian Invasions), where the amusing insouciance of the thirty-somethings talking dirty in Le Déclin is replaced by a sense of moral responsibility and serene resignation. In this engrossing study, André Loiselle presents the first in-depth analysis of both films within the context of Quebec culture. Through close readings and concise cultural analysis of two of the most important films in the history of Quebec cinema, Loiselle demonstrates the ways in which Arcand's work represents a snapshot of the evolution of the French Canadian film industry since 1980. The companion films trace the decline of Quebec's national dream and the Québécois' attempts to cling to their identity against the forces of barbaric globalization. The second title in the new Canadian Cinema series, Denys Arcand's "Le Déclin de l'empire américain" and "Les Invasions barbares" is essential reading for cinephiles, film critics, and anyone with an interest in cultural studies and Canadian and Quebec history. | ||
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| 600 | 1 | 0 | |a Arcand, Denys, |d 1941 June 25- |x Criticism and interpretation. |
| 630 | 0 | 0 | |a Déclin de l'empire américain (Motion picture) |
| 630 | 0 | 0 | |a Invasions barbares (Motion picture) |
| 600 | 1 | 6 | |a Arcand, Denys, |d 1941- |x Critique et interprétation. |
| 630 | 0 | 6 | |a Déclin de l'empire américain (Film cinématographique) |
| 630 | 0 | 6 | |a Invasions barbares (Film cinématographique) |
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| 830 | 0 | |a Canadian cinema ; |v 2. | |
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