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|a OCLCE
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|a (OCoLC)622862484
|z (OCoLC)191222265
|z (OCoLC)300617933
|z (OCoLC)841913336
|z (OCoLC)850216243
|z (OCoLC)1055289030
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|z (OCoLC)1077366093
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|a 22573/ctv1121r1c
|b JSTOR
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|a dlr
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|a e-uk-en
|a e-it---
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|a PR535.L7
|b E88 1994
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|a LIT
|x 014000
|2 bisacsh
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|a 811/.309354
|2 20
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|a UAMI
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|a Estrin, Barbara L.,
|d 1942-
|e author.
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|a Laura :
|b uncovering gender and genre in Wyatt, Donne, and Marvell /
|c Barbara L. Estrin.
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|a Durham [N.C.] :
|b Duke University Press,
|c 1994.
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|a 1 online resource (xiii, 345 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Post-contemporary interventions
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|a Includes bibliographical references and index.
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|t Introduction: gender performance and genre slippage --
|g [1.]
|t Petrarch:
|t Inverting the order: Laura as Eve to Petrarch's Adam ;
|t "Like a man who thinks and weeps and writes": Laura as Mercury to Petrarch's Battus --
|g [2.]
|t Wyatt:
|t Taking bread: Wyatt's revenge in the lyrics and sustenance in the Psalms ;
|t "Liking this": telling Wyatt's feelings --
|g [3.]
|t Donne:
|t Small change: defections from Petrarchan and Spenserian poetics ;
|t Sylvia transformed: returning Donne's gifts ;
|t "A pregnant bank": contracting and abstracting the "you" in Donne's "A valediction of my name in the window" and "Elegy: change" --
|g [4.]
|t Marvell:
|t "Busie companies of men": appropriations of female power in "Damon the mower" and "The gallery" ;
|t "Preparing for longer flight": Marvell's nymph and the revenge of silence ;
|t A-mazing and A-musing: after the garden in "Appleton house."
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|a How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poe.
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546 |
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|a English.
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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1 |
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|a Wyatt, Thomas,
|c Sir,
|d 1503?-1542
|x Characters
|x Women.
|
600 |
1 |
0 |
|a Marvell, Andrew,
|d 1621-1678
|x Characters
|x Women.
|
600 |
1 |
0 |
|a Donne, John,
|d 1572-1631
|x Characters
|x Women.
|
600 |
1 |
6 |
|a Wyatt, Thomas,
|c Sir,
|d 1503?-1542
|x Personnages
|x Femmes.
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1 |
6 |
|a Marvell, Andrew,
|d 1621-1678
|x Personnages
|x Femmes.
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1 |
6 |
|a Donne, John,
|d 1572-1631
|x Personnages
|x Femmes.
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600 |
1 |
7 |
|a Donne, John,
|d 1572-1631.
|2 fast
|0 (OCoLC)fst00038120
|
600 |
1 |
7 |
|a Marvell, Andrew,
|d 1621-1678.
|2 fast
|0 (OCoLC)fst00049338
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600 |
1 |
7 |
|a Wyatt, Thomas,
|c Sir,
|d 1503?-1542.
|2 fast
|0 (OCoLC)fst00006266
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600 |
1 |
7 |
|a Donne, John.
|2 swd
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1 |
7 |
|a Marvell, Andrew.
|2 swd
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1 |
7 |
|a Petrarca, Francesco.
|2 swd
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1 |
7 |
|a Wyatt, Thomas.
|2 swd
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650 |
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0 |
|a English poetry
|y Early modern, 1500-1700
|x History and criticism.
|
650 |
|
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|a Love poetry, English
|x Male authors
|x History and criticism.
|
650 |
|
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|a Women and literature
|z England
|x History
|y 16th century.
|
650 |
|
0 |
|a Women and literature
|z England
|x History
|y 17th century.
|
650 |
|
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|a Literary form
|x History
|y 16th century.
|
650 |
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0 |
|a Literary form
|x History
|y 17th century.
|
650 |
|
0 |
|a English poetry
|x Italian influences.
|
650 |
|
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|a Sex role in literature.
|
650 |
|
6 |
|a Poésie anglaise
|y 16e siècle
|x Histoire et critique.
|
650 |
|
6 |
|a Femmes et littérature
|z Angleterre
|x Histoire
|y 16e siècle.
|
650 |
|
6 |
|a Femmes et littérature
|z Angleterre
|x Histoire
|y 17e siècle.
|
650 |
|
6 |
|a Poésie anglaise
|x Influence italienne.
|
650 |
|
6 |
|a Rôle selon le sexe dans la littérature.
|
650 |
|
6 |
|a Poésie d'amour anglaise
|x Histoire et critique.
|
650 |
|
6 |
|a Genres littéraires
|x Histoire
|y 16e siècle.
|
650 |
|
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|a Genres littéraires
|x Histoire
|y 17e siècle.
|
650 |
|
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|a LITERARY CRITICISM
|x Poetry.
|2 bisacsh
|
650 |
|
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|a LITERARY CRITICISM / Poetry
|2 bisacsh
|
650 |
|
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|a English poetry
|x Early modern.
|2 fast
|0 (OCoLC)fst01710963
|
650 |
|
7 |
|a English poetry
|x Italian influences.
|2 fast
|0 (OCoLC)fst00912312
|
650 |
|
7 |
|a Literary form.
|2 fast
|0 (OCoLC)fst00999924
|
650 |
|
7 |
|a Love poetry, English
|x Male authors.
|2 fast
|0 (OCoLC)fst01425848
|
650 |
|
7 |
|a Sex role in literature.
|2 fast
|0 (OCoLC)fst01114649
|
650 |
|
7 |
|a Women and literature.
|2 fast
|0 (OCoLC)fst01177093
|
650 |
|
7 |
|a Women in literature.
|2 fast
|0 (OCoLC)fst01177912
|
651 |
|
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|a England.
|2 fast
|0 (OCoLC)fst01219920
|
650 |
|
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|a Frau
|g Motiv
|2 gnd
|
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|
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|a Petrarkismus
|2 gnd
|
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|
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|a Geliebte
|g Motiv
|2 gnd
|
648 |
|
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|a 1500-1700
|2 fast
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653 |
0 |
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|a English poetry
|a Special subjects
|a Love
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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776 |
0 |
8 |
|i Print version:
|a Estrin, Barbara L., 1942-
|t Laura.
|d Durham [N.C.] : Duke University Press, 1994
|w (DLC) 94013794
|w (OCoLC)30356039
|
830 |
|
0 |
|a Post-contemporary interventions.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11316qd
|z Texto completo
|
938 |
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