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|a PR2642.S36
|b S59 1994
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|b S55 1994
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|a Slights, William W. E.
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|a Ben Jonson and the art of secrecy /
|c William W.E. Slights.
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|a Toronto ;
|a Buffalo :
|b University of Toronto Press,
|c ©1994.
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|a 1 online resource (viii, 241 pages)
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|a text
|b txt
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|a Includes bibliographical references (pages 213-226) and index.
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|a 1. Secret Places in Renaissance Drama -- 2. Mystifying the Tyrant and Enforcing the Text: Impossible Combinations in Sejanus -- 3. The Play of Conspiracies in Volpone -- 4. Private Lies, Public Notice: Epicoene and Theatrical Deception -- 5. The New Face of Secrecy in The Alchemist -- 6. Catiline's Conspiracy and the Problem of Containment -- 7. State-Decipherers and Politique Picklockes: Interpretation as Self-Replication in Bartholomew Fair.
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|a Secrets accomplish their cultural work by distinguishing the knowable from the (at least temporarily) unknowable, those who know from those who don't. Within these distinctions resides an enormous power that Ben Jonson (1572-1637) both deplored and exploited in his art of making plays. Slights draws on the sociology of secrecy, the history of censorship, and the theory of hermeneutics to investigate secrecy, intrigue, and conspiracy as aspects of Jonsonian dramatic form, contemporary court/city/church politics, and textual interpretation. He argues that the tension between concealment and revelation in the plays affords a model for the poise that sustained Jonson in the intricately linked worlds of royal court and commercial theatre and that made him a pivotal figure in the cultural history of early modern England.
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|a Rejecting equally the position that Jonson was a renegade subverter of the arcana imperii and that he was a thoroughgoing court apologist, Slights finds that the playwright redraws the lines between private and public discourse for his own and subsequent ages.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Jonson, Ben,
|d 1573?-1637
|x Political and social views.
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|a Jonson, Ben,
|d 1573?-1637
|x Critique et interprétation.
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|a Jonson, Ben,
|d 1573?-1637
|2 fast
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|a Secrecy in literature.
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|a Politics and literature
|z Great Britain
|x History
|y 17th century.
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|a Literature and society
|z England
|x History
|y 17th century.
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|a Communication in literature.
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|a Conspiracies in literature.
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|a Conversation in literature.
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|a Dialogue.
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|a Secret dans la littérature.
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|a Politique et littérature
|z Grande-Bretagne
|x Histoire
|y 17e siècle.
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|a Littérature et société
|z Angleterre
|x Histoire
|y 17e siècle.
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|a Communication dans la littérature.
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|a Conspiration dans la littérature.
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|a Conversation dans la littérature.
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|a Dialogue.
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|a DRAMA
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a Communication in literature
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|a Conspiracies in literature
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|a Conversation in literature
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|a Dialogue
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|a Literature and society
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|a Political and social views
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|a Politics and literature
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|a Secrecy in literature
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|a England
|2 fast
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|a Great Britain
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|a Komedies.
|2 gtt
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|a Geheimen.
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|a 1600-1699
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|a English drama
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|a History
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|i Print version:
|a Slights, William W.E.
|t Ben Jonson and the art of secrecy.
|d Toronto ; Buffalo : University of Toronto Press, ©1994
|w (DLC) 95135917
|w (OCoLC)30972254
|
856 |
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|u https://jstor.uam.elogim.com/stable/10.3138/j.ctt130jvr1
|z Texto completo
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