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Planets on tables : poetry, still life, and the turning world /
Poets have long been drawn to the images and techniques of still life. Artists and poets alike present intimate worlds where time is suspended in the play of form and color and where history disappears amid everyday things. The genre of still life with its focus on the domestic sphere seemed to some...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ithaca :
Cornell University Press,
2008.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Costello, Bonnie. | |
| 245 | 1 | 0 | |a Planets on tables : |b poetry, still life, and the turning world / |c Bonnie Costello. |
| 260 | |a Ithaca : |b Cornell University Press, |c 2008. | ||
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| 504 | |a Includes bibliographical references (pages 189-196) and index. | ||
| 505 | 0 | |a Introduction : crude foyers -- Wallace Stevens : local objects and distant wars -- William Carlos Williams : contending in still life -- Elizabeth Bishop's ethnographic eye -- Joseph Cornell : soap bubbles and shooting galleries -- Richard Wilbur : Xenia -- Conclusion : domestic disturbance. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 588 | 0 | |a Print version record. | |
| 520 | |a Poets have long been drawn to the images and techniques of still life. Artists and poets alike present intimate worlds where time is suspended in the play of form and color and where history disappears amid everyday things. The genre of still life with its focus on the domestic sphere seemed to some a retreat from the political and economic pressures of the last century. Yet many American artists and writers found in the arrangement of local objects a way to connect the individual to larger public concerns. Indeed, the debates over still life reveal just what is at stake in the long-standing quarrel over poetry's meaning and usefulness. By exploring literary works of still life by Wallace Stevens, William Carlos Williams, Elizabeth Bishop, and Richard Wilbur-as well as the art of Joseph Cornell-the eminent critic Bonnie Costello considers how exchanges between the arts help to establish vital thresholds between the personal and public realms. In her view, Stevens and Williams bring the turmoil of history into their struggle for local aesthetic order; Bishop "studies history" in the intimate objects and arrangements she finds in her travels; Cornell, an artist inspired by poetry and loved by poets, links his dream boxes to contemporary events; and Richard Wilbur seeks to mend a broken postwar world within the hospitable spheres of art and home. In Planets on Tables, Costello describes a period when some of America's greatest poets and artists found in still life a way to "contemplate the good in the midst of confusion," to bring the distant near, and to resist-rather than escape-the pressures of their times | ||
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| 650 | 0 | |a History, Modern, in art. | |
| 650 | 6 | |a Poésie américaine |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Histoire moderne et contemporaine dans la littérature. | |
| 650 | 6 | |a Nature morte dans l'art. | |
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| 776 | 0 | 8 | |i Print version: |a Costello, Bonnie. |t Planets on tables. |d Ithaca : Cornell University Press, 2008 |w (DLC) 2007033098 |w (OCoLC)166255061 |
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