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|a Chanter, Tina,
|d 1960-
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|a The picture of abjection :
|b film, fetish, and the nature of difference /
|c Tina Chanter.
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|a Bloomington :
|b Indiana University Press,
|c ©2008.
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|a 1 online resource (377 pages) :
|b illustrations
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|a Includes bibliographical references (pages 345-357) and index.
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|3 Use copy
|f Restrictions unspecified
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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|a Print version record.
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|a Title Page; Copyright Page; Table of Contents; INTRODUCTION; 1 Abjection as the Unthought Ground of Fetishism; 2 Abjection as the Failure of Protection against Emptiness: Narcissism, Negation, and Klein's Projective Identification; 3 Abject Art: Destabilizing the Drive for Purification, and Unmasking the Foundational Fantasy of Castration; 4 Fantasy at a Distance: The Revolt of Abjection; 5 The Exotica-ization and Universalization of the Fetish, and the Naturalization of the Phallus: Abject Objections.
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|a 6 Prohibiting Miscegenation and Homosexuality: The Birth of a Nation, Casablanca, and American History X7 Abject Identifications in The Crying Game: The Mutual Implication of Transgender/Race/Nationalism/Class; 8 The Fetishistic Temporality of Hegemonic Postcolonial Nationalist Narratives and the Traumatic Real of Abjection; 9 Concluding Reflections on the Necrophiliaof Fetishism; Notes; Bibliography; Index.
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|a Tina Chanter resolves a fundamental problem in film theory by negotiating a middle path between "gaze theory" approaches to film and spectator studies or cultural theory approaches that emphasize the position of the viewer and thereby take account of race, class, gender, and sexuality. Chanter argues that abjection is the unthought ground of fetishistic theories. If the feminine has been the privileged excluded other of psychoanalytic theory, fueled by the myth of castration and the logic of disavowal, when fetishism is taken up by race theory, or cultural theory, the multiple and fluid registers of abjection are obscured. By mobilizing a theory of abjection, the book shows how the appeal to phallic, fetishistic theories continues to reify the hegemonic categories of race, class, sexuality, and gender, as if they stood as self-evident categories
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|a Abjection in motion pictures.
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|a Sex in motion pictures.
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|i Print version:
|a Chanter, Tina, 1960-
|t Picture of abjection.
|d Bloomington : Indiana University Press, ©2008
|w (DLC) 2007032952
|w (OCoLC)148984446
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